Damage (Special edition)
- Starring: Jeremy Irons, Juliette Binoche, Miranda Richardson
- Director: Louis Malle
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Description
Adapted from Josephine Hart's spare novel by British screenwriter David Hare and French director Louis Malle, this brooding ****** drama concerns the obsessive ****** relationship between an English politician and his son's lover. Stephen Flemming (Jeremy Irons), an up-and-coming member of Parliament, has a beautiful and loving wife, Ingrid (Miranda Richardson), and two children, including son Martyn (Rupert Graves), a successsful journalist. Sparks fly, however, when Stephen meets beautiful art-world denizen Anna Barton (Juliette Binoche), Martyn's new girlfriend. A measured, seemingly passionless man who believes that life can be controlled, Stephen suddenly finds himself unable to resist brief but intense liaisons with the mysterious, melancholy Anna. Eventually she explains the palpable air of sadness that hangs over her: When she was 15, her beloved older brother committed suicide because he could not possess her. "Remember," Anna warns Stephen, "Damaged people are dangerous. They know they can survive." Drawn to Anna and the passion she engenders in him, Stephen tries to justify his betrayal by telling himself Martyn isn't serious about Anna; he is stunned, then, when the two announce their engagement. On the advice of Anna's mother (Leslie Caron), who sees right through the charade, Stephen tries to break things off. But soon the affair resumes with full force, eventually destroying several lives. Although Damage's stark, frank ****** scenes were trimmed to attain an R rating for theatrical release, the original, uncut version is available on video and DVD. Richardson received an Oscar nomination for her work. Brian J. Dillard, All Movie Guide
Features
- Genre: Drama
- Category: Romantic Drama
- Theme: Infidelity, Love Triangles, Self-Destructive Romance, Wolf in Sheep's Clothing
- Release Date: November 17, 1998
- Rating: NR (Not Rated)Rating Opens in New Window - Not For Children, Nudity, Profanity, Strong Sexual Content
- Studio: New Line Home Video
- Lead Actors: Jeremy Irons, Juliette Binoche, Miranda Richardson, Rupert Graves, Ian Bannen
- Supporting Actors: Barry Steam, Simon de Deney, Roger Llewellyn, Jason Morell, Susan Engel, Ray Gravell, Linda Delapena, Henry Power, David Thewlis, Benjamin Whitrow, Luc Étienne, Jeff Nuttall, Francine Stock, Leslie Caron, Peter Stormare, Gemma Clarke, Julian Fellowes, Tony Doyle
- Director: Louis Malle
- Picture Format: Letterbox
- Run Time: 1 hr 52 min
- Subtitle Language: English, French, Spanish
- Format: DVD
Awards
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Nominations: Golden Globe Awards (1), Academy Awards (1)
Nominee: Academy Awards Best Supporting Actress 1992, Miranda Richardson
Additional Information
- DPCI: 246-00-1003
- ASIN: B002HMJY1U
- Catalog #: 11322895
- Item can not be gift wrapped.
Shipping & Policies
- You may return this item to any Target store.Opens in New Window
- Shipping & Delivery InformationOpens in New Window
- Estimated Ship Dimensions : 7.5 inches length x 5.6 inches width x 0.6 inches height
- Estimated Ship Weight: 0.23 pound.
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Expert Reviews
Accomplished French director Louis Malle stays faithful to Josephine Hart's best-selling novel about obsession, deceit, and destruction, but adds the touch of humanity to these difficult subjects characteristic of his earlier works such as Murmur of the Heart (1971) and Pretty Baby (1978). Adapted for the screen by playwright David Hare, the script is a dialogue-sparse and moody psychological exploration of passionate obsession, from the sublime ecstasy of its initial grip to its inevitable tragedy. The gaunt yet elegant Jeremy Irons is adept at portraying Dr. Stephen Fleming, the distinguished, silently suffering government official with a ****** loneliness turned ****** obsession that parallels Irons' roles in M. Butterfly (1993) and Lolita (1997). Juliette Binoche's role as Anna Barton is hauntingly enigmatic and a difficult one; her pain and sadness is expressed through her gaze, her needy gestures, and her tormented silences. Similar in tone, although not as revered, as the classic Last Tango in Paris (1972), the film garnered much criticism for its abstract character motivations. Not for all tastes, this is a deeply complex and disturbing tale of unhappiness that is all too authentic. Lisa Kropiewnicki, All Movie Guide