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Oh La La!

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$12.79 List: $13.98Save: $1.19 (9%)

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1 Disc(s)

  1. 1.

    Hawaii Bikini Inspector 3:11

    Monsieur Leroc

    Play Hawaii Bikini Inspector
  2. 2.

    Don't You Like My Style 4:49

    Monsieur Leroc

    Play Don't You Like My Style
  3. 3.

    No Pork, Just Beats 5:19

    Monsieur Leroc

    Play No Pork, Just Beats
  4. 4.

    The Hunt, Pt. 2 3:33

    Monsieur Leroc

    Play The Hunt, Pt. 2
  5. 5.

    The Hot Carl 2:23

    Monsieur Leroc

    Play The Hot Carl
  6. 6.

    Let the Vibes Do the Talkin' 4:29

    Monsieur Leroc

    Play Let the Vibes Do the Talkin'
  7. 7.

    Have You Got Soul? 3:36

    Monsieur Leroc

    Play Have You Got Soul?
  8. 8.

    Mir Is Heiss 0:53

    Monsieur Leroc

    Play Mir Is Heiss
  9. 9.

    Swing Time Machine 3:43

    Monsieur Leroc

    Play Swing Time Machine
  10. 10.

    Ou Yah, Keef Mar Ine? 2:51

    Monsieur Leroc

    Play Ou Yah, Keef Mar Ine?
  11. 11.

    Kabuki Bukkake 4:41

    Monsieur Leroc

    Play Kabuki Bukkake
  12. 12.

    MMHM... 4:20

    Monsieur Leroc

    Play MMHM...
  13. 13.

    The Hunt, Pt. 1 1:18

    Monsieur Leroc

    Play The Hunt, Pt. 1
  14. 14.

    Mon Dieu, Les Banlieues 2:46

    Monsieur Leroc

    Play Mon Dieu, Les Banlieues
  15. 15.

    Gewichte Am Sack 2:50

    Monsieur Leroc

    Play Gewichte Am Sack
  16. 16.

    Roulez Relax 5:31

    Monsieur Leroc

    Play Roulez Relax

Description

Back in the '70s, many white rock critics tried to convince their readers that the decade's soul, funk, and disco simply couldn't hold a candle to '60s RB. But most connoisseurs of '70s RB weren't buying it, which is why they turned to the late, great Soul magazine (the Vibe of its era) for information and relied on more insightful writers like Leonard Pitts Jr. and Steven Ivory (two regular Soul contributors). And these days, the theory that '70s RB is horribly inferior to '60s RB is seldom tossed around -- in the '90s and 2000s, countless artists (everyone from Lisa Stansfield to Jamiroquai) have been totally obsessed with the African-American music of the '70s. That is certainly the case with Arne Drescher, also known as Monsieur Leroc. Oh La La, the German producer's second album, is yet another example of unapologetic '70s worship in the 2000s. This 2003 release is hardly an exact replica of '70s recordings; rather, Leroc's quirky, eccentric work fuses his '70s fixation with hip-hop, jazz, and club music. Oh La La is an example of what journalist Nelson George calls retro-nuevo -- that is, RB that worships the past without being oblivious to more contemporary sounds. Nonetheless, Leroc's passion for '70s soul and funk is impossible to miss, and this generally likable, if uneven, CD draws on influences that range from Curtis Mayfield, Stevie Wonder, and Sly Stone to De La Soul and the Jungle Brothers. At times, Leroc allows his eccentricity to get the best of him; parts of Oh La La are too self-indulgent for their own good, and Leroc sometimes meanders when he should get to the point. But when Leroc successfully hits the right groove, Oh La La becomes an enjoyably funky demonstration of the seemingly unending influence of '70s RB. Alex Henderson, All Music Guide

Details

Description

    Back in the '70s, many white rock critics tried to convince their readers that the decade's soul, funk, and disco simply couldn't hold a candle to '60s RB. But most connoisseurs of '70s RB weren't buying it, which is why they turned to the late, great Soul magazine (the Vibe of its era) for information and relied on more insightful writers like Leonard Pitts Jr. and Steven Ivory (two regular Soul contributors). And these days, the theory that '70s RB is horribly inferior to '60s RB is seldom tossed around -- in the '90s and 2000s, countless artists (everyone from Lisa Stansfield to Jamiroquai) have been totally obsessed with the African-American music of the '70s. That is certainly the case with Arne Drescher, also known as Monsieur Leroc. Oh La La, the German producer's second album, is yet another example of unapologetic '70s worship in the 2000s. This 2003 release is hardly an exact replica of '70s recordings; rather, Leroc's quirky, eccentric work fuses his '70s fixation with hip-hop, jazz, and club music. Oh La La is an example of what journalist Nelson George calls retro-nuevo -- that is, RB that worships the past without being oblivious to more contemporary sounds. Nonetheless, Leroc's passion for '70s soul and funk is impossible to miss, and this generally likable, if uneven, CD draws on influences that range from Curtis Mayfield, Stevie Wonder, and Sly Stone to De La Soul and the Jungle Brothers. At times, Leroc allows his eccentricity to get the best of him; parts of Oh La La are too self-indulgent for their own good, and Leroc sometimes meanders when he should get to the point. But when Leroc successfully hits the right groove, Oh La La becomes an enjoyably funky demonstration of the seemingly unending influence of '70s RB. Alex Henderson, All Music Guide

Features

  • Genre: Electronica
  • Subgenre: Alternative/Indie-Rock, Hip-Hop/Urban, R&B/Soul
  • Category: Alternative Pop/Rock, Alternative Rap, Funk, Urban
  • Release Date: August 19, 2003
  • Label: CORNERSTONE RAS
  • Artist: Monsieur Leroc
  • Format: CD

Additional Information

  • DPCI: 244-04-0058
  • ASIN: B002KDMLG6
  • Catalog #: 11430236
  • Item can not be gift wrapped.

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