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@#%&*! Smilers (Lyrics included with album)

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1 Disc(s)

  1. 1.

    Freeway 3:50

    Aimee Mann

    Play Freeway
  2. 2.

    Stranger into Starman 1:31

    Aimee Mann

    Play Stranger into Starman
  3. 3.

    Looking for Nothing 3:46

    Aimee Mann

    Play Looking for Nothing
  4. 4.

    Phoenix 3:56

    Aimee Mann

    Play Phoenix
  5. 5.

    Borrowing Time 3:12

    Aimee Mann

    Play Borrowing Time
  6. 6.

    It's Over 3:58

    Aimee Mann

    Play It's Over
  7. 7.

    31 Today 4:52

    Aimee Mann

    Play 31 Today
  8. 8.

    The Great Beyond 3:12

    Aimee Mann

    Play The Great Beyond
  9. 9.

    Medicine Wheel 4:08

    Aimee Mann

    Play Medicine Wheel
  10. 10.

    Columbus Avenue 4:06

    Aimee Mann

    Play Columbus Avenue
  11. 11.

    Little Tornado 3:23

    Aimee Mann

    Play Little Tornado
  12. 12.

    True Believer 3:32

    Aimee Mann

    Play True Believer
  13. 13.

    Ballantines 2:21

    Aimee Mann

    Play Ballantines

Description

Arguably, Aimee Mann hasn't released a simple collection of songs since her 1999 breakthrough with the Magnolia soundtrack and its cousin, Bachelor No. 2. Her releases since then have been prominent and respected, yet they played as explorations, with 2003's Lost in Space floating in the ether and 2006's The Forgotten Arm qualifying as an outright concept album. With Smilers, she returns to simply writing and recording songs, a back to basics that isn't quite so basic, as it finds Mann livelier and snarkier than she's been in a while. That censored profanity in the record's complete title -- it's easy to see but not say or write -- is a tip-off that Smilers has a defiant cynicism rippling throughout the record, something that's welcome after the careful craftsmanship of The Forgotten Arm and the spacy sleepiness of Lost in Space. Although this could hardly qualify as a bold departure -- there is nothing surprising about the arrangements, which still bear the ghost of Jon Brion although he is long gone -- Smilers pops with color, something that gives it an immediacy that's rare for an artist known for songs that subtly worm their way into the subconscious. That still happens here, of course -- one of Mann's greatest strengths is that her songs unfold slowly, seeming indelible after a few listens -- but Smilers grabs a listener, never making him or her work at learning the record, as there are both big pop hooks and a rich sonic sheen. At its heart it's just a collection of songs, but it's that rare thing for a songwriter: it works as a piece of writing and a sterling pop album of its own. Stephen Thomas Erlewine, All Music Guide

Details

Description

    Arguably, Aimee Mann hasn't released a simple collection of songs since her 1999 breakthrough with the Magnolia soundtrack and its cousin, Bachelor No. 2. Her releases since then have been prominent and respected, yet they played as explorations, with 2003's Lost in Space floating in the ether and 2006's The Forgotten Arm qualifying as an outright concept album. With Smilers, she returns to simply writing and recording songs, a back to basics that isn't quite so basic, as it finds Mann livelier and snarkier than she's been in a while. That censored profanity in the record's complete title -- it's easy to see but not say or write -- is a tip-off that Smilers has a defiant cynicism rippling throughout the record, something that's welcome after the careful craftsmanship of The Forgotten Arm and the spacy sleepiness of Lost in Space. Although this could hardly qualify as a bold departure -- there is nothing surprising about the arrangements, which still bear the ghost of Jon Brion although he is long gone -- Smilers pops with color, something that gives it an immediacy that's rare for an artist known for songs that subtly worm their way into the subconscious. That still happens here, of course -- one of Mann's greatest strengths is that her songs unfold slowly, seeming indelible after a few listens -- but Smilers grabs a listener, never making him or her work at learning the record, as there are both big pop hooks and a rich sonic sheen. At its heart it's just a collection of songs, but it's that rare thing for a songwriter: it works as a piece of writing and a sterling pop album of its own. Stephen Thomas Erlewine, All Music Guide

Features

  • Genre: Rock
  • Category: Adult Alternative Pop/Rock, Contemporary Singer/Songwriter, Pop Underground, Pop/Rock, Singer/Songwriter
  • Release Date: June 03, 2008
  • Artist: Mann Aimee
  • Format: CD

Additional Information

  • DPCI: 012-04-0240
  • ASIN: B002ISIP6I
  • Catalog #: 11377983
  • Item can not be gift wrapped.

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