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1,039/Smoothed Out Slappy Hours (Lyrics included with album, Enhanced CD-ROM)

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$11.39 List: $11.98Save: $0.59 (5%)

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1 Disc(s)

  1. 1.

    At the Library 2:27

    Waba Sé Wasca, Green Day

    Play At the Library
  2. 2.

    Don't Leave Me 2:38

    Green Day

    Play Don't Leave Me
  3. 3.

    I Was There 3:36

    Green Day

    Play I Was There
  4. 4.

    Disappearing Boy 2:51

    Green Day

    Play Disappearing Boy
  5. 5.

    Green Day 3:28

    Green Day

    Play Green Day
  6. 6.

    Going to Pasalaqua 3:30

    Green Day

    Play Going to Pasalaqua
  7. 7.

    16 3:24

    Green Day

    Play 16
  8. 8.

    Road to Acceptance 3:35

    Green Day

    Play Road to Acceptance
  9. 9.

    Rest 3:05

    Green Day

    Play Rest
  10. 10.

    The Judge's Daugthter 2:34

    Green Day

    Play The Judge's Daugthter
  11. 11.

    Paper Lanterns 2:25

    Green Day

    Play Paper Lanterns
  12. 12.

    Why Do You Want Him? 2:32

    Green Day

    Play Why Do You Want Him?
  13. 13.

    409 in Your Coffee Maker 2:53

    Green Day

    Play 409 in Your Coffee Maker
  14. 14.

    Knowledge 2:20

    Green Day

    Play Knowledge
  15. 15.

    1,000 Hours 2:25

    Green Day

    Play 1,000 Hours
  16. 16.

    Dry Ice 3:44

    Green Day

    Play Dry Ice
  17. 17.

    Only of You 2:45

    Green Day

    Play Only of You
  18. 18.

    The One I Want 3:01

    Green Day

    Play The One I Want
  19. 19.

    I Want to Be Alone 5:41

    Green Day

    Play I Want to Be Alone

Description

When Green Day's first album appeared, anyone predicting that fame, MTV, top-selling albums, and more would be on the horizon in the near future would have been happily patted on the head and then sent to the insane asylum. It helps to remember that Nirvana's breakthrough was still a year away, for one thing, and, for another, 1,039/Smoothed Out Slappy Hour isn't a truly great album in the first place. It's not bad, by any means, and quite arguably just about everything on it could be transposed with a slight aural tweak here and there to Dookie or Insomniac without anyone batting an eye. It's just little more than a fun punk-pop album with some entertaining metallic flash here and there, one of many such records that the late '80s and early '90s produced in the indie rock world. After a great start with "At the Library," it's quickly clear that the rest of the record is going to continue in the same vein. What's fun is realizing how much the band already had to work with, pursuing obvious love of three-chord forebears like the Dickies and the Ramones to energetic if not revelatory ends. Billie Joe Armstrong's balance of disaffection and nervous, goofy passion is well in place, while he's already showing his effective, no-frills approach to chewy feedback melody. Songs like "I Was There" and "Road to Acceptance," not to mention the implicitly weed-celebrating "Green Day" itself, are great calling cards for later breakouts on both levels. Mike Dirnt's no slouch himself, providing good backing vocals when needed for harmony, but oddly enough the most prominent performance throughout comes from original drummer John Kiftmeyer, who wouldn't last through to the next album. Call it a quirk of recording, but there it is. Ned Raggett, All Music Guide

Details

Description

    When Green Day's first album appeared, anyone predicting that fame, MTV, top-selling albums, and more would be on the horizon in the near future would have been happily patted on the head and then sent to the insane asylum. It helps to remember that Nirvana's breakthrough was still a year away, for one thing, and, for another, 1,039/Smoothed Out Slappy Hour isn't a truly great album in the first place. It's not bad, by any means, and quite arguably just about everything on it could be transposed with a slight aural tweak here and there to Dookie or Insomniac without anyone batting an eye. It's just little more than a fun punk-pop album with some entertaining metallic flash here and there, one of many such records that the late '80s and early '90s produced in the indie rock world. After a great start with "At the Library," it's quickly clear that the rest of the record is going to continue in the same vein. What's fun is realizing how much the band already had to work with, pursuing obvious love of three-chord forebears like the Dickies and the Ramones to energetic if not revelatory ends. Billie Joe Armstrong's balance of disaffection and nervous, goofy passion is well in place, while he's already showing his effective, no-frills approach to chewy feedback melody. Songs like "I Was There" and "Road to Acceptance," not to mention the implicitly weed-celebrating "Green Day" itself, are great calling cards for later breakouts on both levels. Mike Dirnt's no slouch himself, providing good backing vocals when needed for harmony, but oddly enough the most prominent performance throughout comes from original drummer John Kiftmeyer, who wouldn't last through to the next album. Call it a quirk of recording, but there it is. Ned Raggett, All Music Guide

Features

Additional Information

  • DPCI: 244-02-1736
  • ASIN: B002JOZV9A
  • Catalog #: 11408447
  • Item can not be gift wrapped.

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