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In the Heat of Night (40th Anniversary Edition) (Widescreen) (Dual-layered DVD) Products and Promotions

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In the Heat of Night (40th Anniversary Edition) (Widescreen) (Dual-layered DVD)

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$11.59 List: $14.98Save: $3.39 (23%)

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Description

    The winner of the 1967 Oscar for Best Picture (as well as four other Oscars), In the Heat of the Night is set in a small Mississippi town where an unusual murder has been committed. Rod Steiger plays sheriff Bill Gillespie, a good lawman despite his racial prejudices. When Virgil Tibbs (Sidney Poitier), a well-dressed northern African-American, comes to town, Gillespie instinctively puts him under arrest as a murder suspect. Tibbs reveals himself to be a Philadelphia police detective; after he and Gillespie come to a grudging understanding of one another, Tibbs offers to help in Gillespie's investigation. As the case progresses, both Gillespie and Tibbs betray a tendency to jump to culture-dictated conclusions. Still, the case is solved thanks to the informal teamwork of the two law officers. Based on the novel by John Ball, In the Heat of the Night inspired two sequels, both starring Poiter as Virgil Tibbs. In 1987, a TV series version of In the Heat of the Night appeared, with Carroll O'Connor as Gillespie and Howard Rollins as Tibbs. Hal Erickson, All Movie Guide

Features

Awards

    Awards: Academy Awards (4), Golden Globe Awards (2)
    Winner: Academy Awards Best Picture 1967, Walter Mirisch
    Winner: Academy Awards Best Actor 1967, Rod Steiger
    Winner: Golden Globe Awards Best Screenplay 1967, Stirling Silliphant
    Nominations: Academy Awards (2), Golden Globe Awards (3)
    Nominee: Academy Awards Best Director 1967, Norman Jewison
    Nominee: Golden Globe Awards Best Director 1967, Norman Jewison

Additional Information

  • DPCI: 058-12-1820
  • ASIN: B002IKBC4S
  • Catalog #: 11366010
  • Item can not be gift wrapped.

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Bruce EderNorman Jewison's In The Heat of the Night was one of the unlikeliest hits to come out of 1967. Few issues were more provocative or dangerous to discuss in private, much less on screen, than race relations in the United States, and that went double for the Deep South, where the movie (based on John Ball's book) was set. Additionally, the country didn't seem to be clamoring for that kind of discussion: to this day, Roger Corman's The Intruder (1961) is the only theatrical film ever made about school integration in the South. Jewison defied every piece of industry wisdom and won out, mostly because he played it straight and honest, with a cast led by two actors who could hardly have been improved upon for the parts they played. The thematic set-up was surprisingly similar to The Defiant Ones, in which Poitier had co-starred for Stanley Kramer nine years earlier, but the directorial touch was smoother and the film was filled with an enviable range of wonderful supporting performances. In The Heat of the Night was successful enough to generate a brace of films that tried for the same mix of topicality and drama (as well as two sequels, They Call Me Mister Tibbs and The Organization that were more action-oriented), among them William Wyler's The Liberation of L.B. Jones (which came from the same screenwriter), Lamont ******'s made-for-television My Sweet Charlie, and Ralph Nelson's Tick Tick Tick, all of which opened race relations to more honest and straightforward cinematic exploration. Bruce Eder, All Movie Guide