Skip to Main Content Skip to Left Navigation Skip to Product Information Tabs Site information and information for assistive technology users

Chicago/The Blues/Today! (Box Set) Products and Promotions

Target Bullseye

Site Navigation

Target.com Navigation

Christmas Delivered. Free shipping when you spend $50 on 100,000+ select items. 2-Day Sale. Starts Friday at 5AM. Preview the Deals.
Quick Info

Chicago/The Blues/Today! (Box Set)

Be the first to write a review.

$20.29 List: $23.98Save: $3.69 (15%)

The following promotions apply

    $2.99 shipping/order on Movies Music Books
Print this page (opens print dialogue)
Email a Friend

Email this Item

You must be signed in to share this item by email. Sign in now to continue.

Your email address:

The email address you provide in this form will only be used to send this one time email message

Separate multiple recipients with commas

Your message is on its way! Send another email?

Close Email Layer

Items purchased from the Music, Movies + Books category have a standard shipping fee of $2.99 per order. Items in your order purchased from other categories are subject to standard shipping charges.

See offer details. Opens in New Window

3 Disc(s)

  1. 1.

    Help Me 4:05

    Junior Wells Chicago Blues Band

    Play Help Me
  2. 2.

    It Hurts Me Too (When Things Go Wrong) 2:44

    Junior Wells Chicago Blues Band

    Play It Hurts Me Too (When Things Go Wrong)
  3. 3.

    Messin' with the Kid 2:21

    Junior Wells Chicago Blues Band

    Play Messin' with the Kid
  4. 4.

    Vietcong Blues 4:57

    Junior Wells Chicago Blues Band

    Play Vietcong Blues
  5. 5.

    All Night Long (Rock Me Baby) 3:44

    Junior Wells Chicago Blues Band

    Play All Night Long (Rock Me Baby)
  6. 6.

    Going Ahead 2:03

    J.B. Hutto

    Play Going Ahead
  7. 7.

    Please Help 2:53

    J.B. Hutto

    Play Please Help
  8. 8.

    Too Much Alcohol 2:29

    J.B. Hutto

    Play Too Much Alcohol
  9. 9.

    Married Woman Blues 3:06

    J.B. Hutto

    Play Married Woman Blues
  10. 10.

    That's the Truth 2:47

    J.B. Hutto

    Play That's the Truth
  11. 11.

    Marie 2:27

    Otis Spann

    Play Marie
  12. 12.

    Burning Fire 3:14

    Otis Spann

    Play Burning Fire
  13. 13.

    S.P. Blues 2:51

    Otis Spann

    Play S.P. Blues
  14. 14.

    Sometimes I Wonder 3:27

    Otis Spann

    Play Sometimes I Wonder
  15. 15.

    Spann's Stomp 2:19

    Otis Spann

    Play Spann's Stomp
  1. 16.

    Cotton Crop Blues 2:18

    James Cotton Blues Band

    Play Cotton Crop Blues
  2. 17.

    The Blues Keep Falling 4:01

    James Cotton Blues Band

    Play The Blues Keep Falling
  3. 18.

    Love Me or Leave 3:25

    James Cotton Blues Band

    Play Love Me or Leave
  4. 19.

    Rocket 88 2:02

    James Cotton Blues Band

    Play Rocket 88
  5. 20.

    West Helena Blues 3:27

    James Cotton Blues Band

    Play West Helena Blues
  6. 21.

    Everything's Going to Turn Out Alright 3:52

    Otis Rush

    Play Everything's Going to Turn Out Alright
  7. 22.

    It's a Mean Old World 2:21

    Otis Rush

    Play It's a Mean Old World
  8. 23.

    I Can't Quit You Baby 3:14

    Otis Rush

    Play I Can't Quit You Baby
  9. 24.

    Rock 3:32

    Otis Rush

    Play Rock
  10. 25.

    It's My Own Fault 5:55

    Otis Rush

    Play It's My Own Fault
  11. 26.

    Dust My Broom 3:15

    Homesick James Williamson

    Play Dust My Broom
  12. 27.

    Somebody Been Talkin' 2:14

    Homesick James Williamson

    Play Somebody Been Talkin'
  13. 28.

    Set a Date 2:43

    Homesick James Williamson

    Play Set a Date
  14. 29.

    So Mean to Me 2:48

    Homesick James Williamson

    Play So Mean to Me
  1. 30.

    One More Time 2:26

    Johnny Young

    Play One More Time
  2. 31.

    Kid Man Blues 2:59

    Johnny Young

    Play Kid Man Blues
  3. 32.

    My Black Mare 3:40

    Johnny Young

    Play My Black Mare
  4. 33.

    Stealin' Back 3:17

    Johnny Young

    Play Stealin' Back
  5. 34.

    I Got Mine in Time 4:18

    Johnny Young

    Play I Got Mine in Time
  6. 35.

    Tighten Up on It 3:09

    Johnny Young

    Play Tighten Up on It
  7. 36.

    Dynaflow Blues 2:34

    Johnny Shines

    Play Dynaflow Blues
  8. 37.

    Black Spider Blues 3:02

    Johnny Shines

    Play Black Spider Blues
  9. 38.

    Layin' Down My Shoes and Clothes 2:27

    Johnny Shines

    Play Layin' Down My Shoes and Clothes
  10. 39.

    If I Get Lucky 3:23

    Johnny Shines

    Play If I Get Lucky
  11. 40.

    Rockin' My Boogie 3:26

    Big Walter Horton, Memphis Charlie

    Play Rockin' My Boogie
  12. 41.

    Mr. Boweevil 3:10

    Johnny Shines

    Play Mr. Boweevil
  13. 42.

    Hey, Hey 2:21

    Johnny Shines

    Play Hey, Hey

Description

In early 1966, blues history was made with the issuance of a three-volume set of new recordings produced by blues historian Samuel Charters. This series was known as Chicago/The Blues/Today and the release sent shock waves through the world of rock roll. Every artist on the three volumes had recorded before (some, like Otis Rush and Junior Wells, had actually seen small hits on the RB charts), but these recordings were largely their introduction to a newer -- and predominately white -- album-oriented audience. The "Today" part of the title was no bit of hyperbole, either. This series accurately portrayed a vast cross section of the Chicago blues scene as one could hear it on any given night in the mid-'60s. Rather than record full albums (which Charters had neither the budget nor the legal resources to pull off), each artist simply came in for a union-approved session of four to six songs, with each volume featuring three different groupings. With these recordings, blues suddenly gained respectability as something much more vital and vibrant than just a poor cousin of jazz. A new market for this music began, one that exists today in full blossom. Their effect on musicians was enormous. It's fair to assume that most blues-influenced artists had all three volumes in their respective collections, and the songs on them ended up in the repertoires of everyone from Jimi Hendrix (Junior Wells' "Rock Me") to Led Zeppelin (a note-for-note copy of Otis Rush's "I Can't Quit You Baby") to Steppenwolf (Junior Wells' "Messin' with the Kid") and beyond. These recordings have stayed in print and have been reasonably good sellers over the years since their original release, all coming out on compact disc. This new packaging puts all three volumes together, but with no bonus tracks, as no extras were recorded for these sessions.So if one already owns these sides, what's the incentive this time around? That's easy: the sound is massively improved, with the bass that was rolled off the vinyl and original CD versions now being restored. This makes the tracks truly come alive, especially on the Otis Rush and Junior Wells sides, both fortified with some major amounts of badass bass thumping by Roger Jones and Jack Myers, respectively. One can really hear the spaciousness of the old RCA studios where this stuff was cut for the first time, and the detailing of the mix is in sharp focus throughout, although the increased bass causes some unwanted distortion on the Homesick James Williamson tracks. The other plus is the new packaging, which features a nice booklet with detailed, updated notes from Charters, a nice appreciation from Ed Ward, and absolutely eye-boggling session photos taken by Charters' wife, Ann, that alone are worth the price of the set. With the glut of blues reissues out there, it is often a coin toss regarding where best to spend your hard-earned money. Even if you still have the original vinyl or CDs, this is one of the times when it would be best to spend the dough and add this one to your collection, because blues records seldom come as important, innovative, or just plain pleasurable to listen to as this set. File under "essential." Cub Koda, All Music Guide

Details

Description

    In early 1966, blues history was made with the issuance of a three-volume set of new recordings produced by blues historian Samuel Charters. This series was known as Chicago/The Blues/Today and the release sent shock waves through the world of rock roll. Every artist on the three volumes had recorded before (some, like Otis Rush and Junior Wells, had actually seen small hits on the RB charts), but these recordings were largely their introduction to a newer -- and predominately white -- album-oriented audience. The "Today" part of the title was no bit of hyperbole, either. This series accurately portrayed a vast cross section of the Chicago blues scene as one could hear it on any given night in the mid-'60s. Rather than record full albums (which Charters had neither the budget nor the legal resources to pull off), each artist simply came in for a union-approved session of four to six songs, with each volume featuring three different groupings. With these recordings, blues suddenly gained respectability as something much more vital and vibrant than just a poor cousin of jazz. A new market for this music began, one that exists today in full blossom. Their effect on musicians was enormous. It's fair to assume that most blues-influenced artists had all three volumes in their respective collections, and the songs on them ended up in the repertoires of everyone from Jimi Hendrix (Junior Wells' "Rock Me") to Led Zeppelin (a note-for-note copy of Otis Rush's "I Can't Quit You Baby") to Steppenwolf (Junior Wells' "Messin' with the Kid") and beyond. These recordings have stayed in print and have been reasonably good sellers over the years since their original release, all coming out on compact disc. This new packaging puts all three volumes together, but with no bonus tracks, as no extras were recorded for these sessions.So if one already owns these sides, what's the incentive this time around? That's easy: the sound is massively improved, with the bass that was rolled off the vinyl and original CD versions now being restored. This makes the tracks truly come alive, especially on the Otis Rush and Junior Wells sides, both fortified with some major amounts of badass bass thumping by Roger Jones and Jack Myers, respectively. One can really hear the spaciousness of the old RCA studios where this stuff was cut for the first time, and the detailing of the mix is in sharp focus throughout, although the increased bass causes some unwanted distortion on the Homesick James Williamson tracks. The other plus is the new packaging, which features a nice booklet with detailed, updated notes from Charters, a nice appreciation from Ed Ward, and absolutely eye-boggling session photos taken by Charters' wife, Ann, that alone are worth the price of the set. With the glut of blues reissues out there, it is often a coin toss regarding where best to spend your hard-earned money. Even if you still have the original vinyl or CDs, this is one of the times when it would be best to spend the dough and add this one to your collection, because blues records seldom come as important, innovative, or just plain pleasurable to listen to as this set. File under "essential." Cub Koda, All Music Guide

Features

Additional Information

  • DPCI: 244-07-7844
  • ASIN: B002OKBFNU
  • Catalog #: 11608667
  • Item can not be gift wrapped.

Shipping & Policies

Guest Reviews

There are no reviews for this item.
Have any thoughts you'd like to share?

Be the first to write a review