Harem World Tour: Live from Las Vegas
- Artist: Sarah Brightman
- Composer: Andrew Lloyd Webber, Antonin Dvorák, Brian May
- Label: Angel Records
The following promotions apply
Prices, promotions, styles and availability may vary by store and online.
Availability:
In Stock
This item is available online, but is not available in stores.
Items purchased from the Music, Movies + Books category have a standard shipping fee of $2.99 per order. Items in your order purchased from other categories are subject to standard shipping charges.
1 Disc(s)
-
1.
Kama Sutra (adapted from the film score Kama Sutra: A Tale of Love) 2:01
Violet, Tim Warburton, Jan-Eric Kohrs, Elie Barrak, Flo Dauner, Markus Birkle, Shweta Shetty...: Mychael Danna
Play Kama Sutra (adapted from the film score Kama Sutra: A Tale of Love) -
2.
Harem 3:10
Sarah Brightman, Shweta Shetty, Tim Warburton, Gunther Laudahn, Rony Barrack, Violet...: Frederico de Brito
Play Harem -
3.
It's A Beautiful Day (after Puccini's Un bel dì) 4:26
Markus Birkle, Tim Warburton, Gunther Laudahn, Roland Peil, Markus Koessler, Jan-Eric Kohrs...: Sarah Brightman / Frank Peterson / Christopher von Deylen
Play It's A Beautiful Day (after Puccini's Un bel dì) -
4.
Dust in the Wind 4:01
Markus Koessler, Gunther Laudahn, Sarah Brightman, Rony Barrack, Markus Birkle, Roland Peil...: Kerry Livgren
Play Dust in the Wind -
5.
Who Wants To Live Forever? 4:01
Elie Barrak, Violet, Rony Barrack, Markus Birkle, Gunther Laudahn, Markus Koessler...: Brian May
Play Who Wants To Live Forever? -
6.
Anytime, Anywhere (adapted from Albinoni's Adagio) 3:16
Markus Birkle, Violet, Gunther Laudahn, Tim Warburton, Flo Dauner, Shweta Shetty, Rony Barrack...: Frank Peterson / Michael Soltau
Play Anytime, Anywhere (adapted from Albinoni's Adagio) -
7.
La Luna (adapted from Dvorák's Song to the Moon) 5:16
Flo Dauner, Elie Barrak, Violet, Rony Barrack, Markus Birkle, Gunther Laudahn, Shweta Shetty...: Frank Peterson
Play La Luna (adapted from Dvorák's Song to the Moon) -
8.
Turandot, opera:Nessun dorma 4:11
Harem Orchestra, Jan-Eric Kohrs, Markus Koessler, Elie Barrak, Flo Dauner, Tim Warburton...: Giacomo Puccini
Play Turandot, opera:Nessun dorma -
9.
The War Is Over Now 5:23
Harem Orchestra, Gunther Laudahn, Shweta Shetty, Tim Warburton, Sarah Brightman, Roland Peil...: Kristian Draude / Patrick Benzner / Frank Peterson
Play The War Is Over Now -
10.
Free 3:49
Shweta Shetty, Tim Warburton, Sarah Brightman, Violet, Rony Barrack, Jan-Eric Kohrs...: Thomas Schwartz / Matthias Meissner
Play Free -
11.
A Whiter Shade of Pale (Senza luce), song 3:15
Sarah Brightman, Roland Peil, Harem Orchestra, Markus Birkle, Rony Barrack, Violet...: Gary Brooker / Keith Reid
Play A Whiter Shade of Pale (Senza luce), song -
12.
Phantom of the Opera, musical:Medley: Twisted Every Way; Phantom Overture; Little Lottie 4:26
Violet, Rony Barrack, Jan-Eric Kohrs, Gunther Laudahn, Roland Peil, Harem Orchestra, Flo Dauner...: Andrew Lloyd Webber
Play Phantom of the Opera, musical:Medley: Twisted Every Way; Phantom Overture; Little Lottie -
13.
Phantom of the Opera, musical:Wishing You Were Somhow Here Again 3:51
Harem Orchestra, Markus Koessler, Jan-Eric Kohrs, Roland Peil, Sarah Brightman, Shweta Shetty...: Andrew Lloyd Webber
Play Phantom of the Opera, musical:Wishing You Were Somhow Here Again -
14.
Time to Say Goodbye (Con te partirò), song 4:13
Elie Barrak, Flo Dauner, Harem Orchestra, Markus Koessler, Roland Peil, Sarah Brightman...: Francesco Sartori
Play Time to Say Goodbye (Con te partirò), song -
15.
A Question of Honour (after Catalani's La Wally) 5:42
Flo Dauner, Elie Barrak, Markus Koessler, Gunther Laudahn, Markus Birkle, Rony Barrack, Violet...: Frank Peterson
Play A Question of Honour (after Catalani's La Wally) -
16.
Snow on the Sahara 4:43
Tony Levin, Sarah Brightman, The G Strings, Peter Weihe, Gunther Laudahn, Kristian Draude, Violet: Erick Benzi
Play Snow on the Sahara
Description
The one drawback of live albums is that the listener is left on their own to visualize what is happening on the stage. For most pop/rock recordings this is not a serious detriment. But for a highly stylized and theatrical show such as Sarah Brightman's Harem World Tour: Live From Las Vegas, the music and visuals go hand-in-hand and this edited CD version of the program lacks the impact felt by the enthusiastic live audience. With applause heard within instrumental passages, including the elongated opening, it leaves a listener puzzled as to what is happening. Without any visuals all that is left is the music, which is immaculately performed yet devoid of any spontaneity. The music and Brightman's performance are as finely tuned and timed as the many costume and set changes seen in the CD booklet. This does not mean the music is substandard, but when the studio versions are comparable, why should a casual fan bother with this disc? Brightman has never been known as a forceful singer and her thin operatic voice rarely has the power to raise goose bumps, but she has a certain frailty that is alluring and it transfers well to the stage. A good example is her rendition of "Nessun Dorma" in which she quietly garners attention -- almost too quietly -- leaving one to wonder if she has the stamina to finish. Of course, there is no question she can hit the highs, but by the last note it feels as if she might faint from the sheer effort. She may not be an explosive singer, but her accomplished performance rallies the audience in her favor. There are grand moments like this throughout Live From Las Vegas, however it is her subtle readings of contemporary pop songs that work best. "It's a Beautiful Day" is a new age dance tune custom made for her wide range while the ballads "The War Is Over" and "Free" contain some of her most heartfelt vocals. With the exception of a pedestrian studio remake of Anggun's "Snow on the Sahara," Live From Las Vegas offers nothing new and feels rather empty at times. It's like not having a ticket to the show and being forced to hear it from the theater's lobby. A better option would be to view the full-length DVD version of the show where Sarah Brightman's performance and her Harem vision come to life as originally intended -- a feast for the ears and eyes. Aaron Latham, All Music Guide
Details
Description
The one drawback of live albums is that the listener is left on their own to visualize what is happening on the stage. For most pop/rock recordings this is not a serious detriment. But for a highly stylized and theatrical show such as Sarah Brightman's Harem World Tour: Live From Las Vegas, the music and visuals go hand-in-hand and this edited CD version of the program lacks the impact felt by the enthusiastic live audience. With applause heard within instrumental passages, including the elongated opening, it leaves a listener puzzled as to what is happening. Without any visuals all that is left is the music, which is immaculately performed yet devoid of any spontaneity. The music and Brightman's performance are as finely tuned and timed as the many costume and set changes seen in the CD booklet. This does not mean the music is substandard, but when the studio versions are comparable, why should a casual fan bother with this disc? Brightman has never been known as a forceful singer and her thin operatic voice rarely has the power to raise goose bumps, but she has a certain frailty that is alluring and it transfers well to the stage. A good example is her rendition of "Nessun Dorma" in which she quietly garners attention -- almost too quietly -- leaving one to wonder if she has the stamina to finish. Of course, there is no question she can hit the highs, but by the last note it feels as if she might faint from the sheer effort. She may not be an explosive singer, but her accomplished performance rallies the audience in her favor. There are grand moments like this throughout Live From Las Vegas, however it is her subtle readings of contemporary pop songs that work best. "It's a Beautiful Day" is a new age dance tune custom made for her wide range while the ballads "The War Is Over" and "Free" contain some of her most heartfelt vocals. With the exception of a pedestrian studio remake of Anggun's "Snow on the Sahara," Live From Las Vegas offers nothing new and feels rather empty at times. It's like not having a ticket to the show and being forced to hear it from the theater's lobby. A better option would be to view the full-length DVD version of the show where Sarah Brightman's performance and her Harem vision come to life as originally intended -- a feast for the ears and eyes. Aaron Latham, All Music Guide
Features
- Genre: Crossover
- Category: Contemporary
- Release Date: September 28, 2004
- Label: Angel Records
- Artist: Sarah Brightman
- Additional Artists: Elie Barrak (Vocals ), Gunther Laudahn (Vocals ), Sarah Brightman (Vocals ), The G Strings (Performer)
- Composer: Andrew Lloyd Webber, Antonin Dvorák, Brian May, Charles Hart, Christopher Von Deylen, Eric Benzi, Ferrer Trinidade, Francesco Sartori, Frank Peterson, Frederico de Brito
- Format: CD
Additional Information
- DPCI: 244-09-0044
- ASIN: B002SW6KR0
- Catalog #: 11703866
- Item can not be gift wrapped.
Shipping & Policies
- You may return this item to any Target store.Opens in New Window
- Shipping & Delivery InformationOpens in New Window
- Estimated Ship Dimensions : 5.6 inches length x 4.8 inches width x 0.4 inches height
- Estimated Ship Weight: 0.10 pound.
Guest Reviews
There are no reviews for this item.
Have any thoughts you'd like to share?