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Havana Cuba ca. 1957: Rhythms & Songs for Orishas

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tracks.

  1. 1.
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    Ibrabo Ago Mo Juba 01:25
  2. 2.
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    Aganjú Sola 01:09
  3. 3.
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    Aró 01:20
  4. 4.
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    Oyá Te Yeye 01:28
  5. 5.
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    Obatalá/Obúdua 05:03
  6. 6.
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    Ibarabo Ago Mo Juba 02:48
  7. 7.
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    Ogúndé Arere 02:42
  8. 8.
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    Oshosi Ayilodá Mala Mala De 01:46
  9. 9.
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    Orishaoko Ogun Fere Weye 01:57
  10. 10.
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    Bá Ri Ibá O Ge de Má 02:25
  11. 11.
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    Aganjú Sola 01:12
  12. 12.
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    Oyadß Ibariba Sheke Shé 02:26
  13. 13.
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    Song for Orunla 01:59
  14. 14.
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    Aró 03:53
  15. 15.
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    Eleguá 02:04
  16. 16.
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    Ogun 01:07
  17. 17.
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    Oshosi 01:31
  18. 18.
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    Obaloge 01:18
  19. 19.
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    Inlé 00:50
  20. 20.
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    Orishaoko 01:05
  21. 21.
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    Osain 00:59
  22. 22.
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    Chakpaná 01:52
  23. 23.
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    Ibeyi 00:36
  24. 24.
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    Dadá 00:50
  25. 25.
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    Aganjú 01:14
  26. 26.
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    Shangó 01:57
  27. 27.
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    Obatalá 01:46
  28. 28.
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    Odúdua 00:57
  29. 29.
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    Obá 01:37
  30. 30.
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    Yewá 01:01
  31. 31.
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    Oyá 02:03
  32. 32.
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    Oshún 00:54
  33. 33.
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    Orunla 00:58
  34. 34.
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    Yemayá 04:42
  35. 35.
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    Osain Songs 04:46
  36. 36.
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    Guarachita for Shangó 06:45
  37. 37.
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    Guarachita for Shangó 01:37

Havana Cuba ca. 1957: Rhythms Songs for Orishas features a number of archived recordings from 1957. The songs all feature a style of percussion intended to summon the gods. Given this important bit of information, you're likely to presume that this is both spiritual and tribal music, which, of course, it is. Not exactly crowd-pleasing music. It's rather idiosyncratic, in fact. Not something you entertain your guests with at a party. However, anyone interested in this album's anthropological angle might indeed find this music interesting. And that might just be reason enough to search this out. Jason Birchmeier, Rovi

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other Info.

  • Online Item #: 11905207
  • Store Item Number (DPCI): 244-11-7736
  • Made in the USA or Imported