tracks.
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1.StopIbrabo Ago Mo Juba 01:25
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2.StopAganjú Sola 01:09
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3.StopAró 01:20
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4.StopOyá Te Yeye 01:28
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5.StopObatalá/Obúdua 05:03
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6.StopIbarabo Ago Mo Juba 02:48
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7.StopOgúndé Arere 02:42
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8.StopOshosi Ayilodá Mala Mala De 01:46
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9.StopOrishaoko Ogun Fere Weye 01:57
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10.StopBá Ri Ibá O Ge de Má 02:25
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11.StopAganjú Sola 01:12
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12.StopOyadß Ibariba Sheke Shé 02:26
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13.StopSong for Orunla 01:59
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14.StopAró 03:53
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15.StopEleguá 02:04
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16.StopOgun 01:07
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17.StopOshosi 01:31
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18.StopObaloge 01:18
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19.StopInlé 00:50
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20.StopOrishaoko 01:05
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21.StopOsain 00:59
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22.StopChakpaná 01:52
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23.StopIbeyi 00:36
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24.StopDadá 00:50
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25.StopAganjú 01:14
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26.StopShangó 01:57
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27.StopObatalá 01:46
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28.StopOdúdua 00:57
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29.StopObá 01:37
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30.StopYewá 01:01
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31.StopOyá 02:03
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32.StopOshún 00:54
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33.StopOrunla 00:58
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34.StopYemayá 04:42
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35.StopOsain Songs 04:46
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36.StopGuarachita for Shangó 06:45
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37.StopGuarachita for Shangó 01:37
Havana Cuba ca. 1957: Rhythms Songs for Orishas features a number of archived recordings from 1957. The songs all feature a style of percussion intended to summon the gods. Given this important bit of information, you're likely to presume that this is both spiritual and tribal music, which, of course, it is. Not exactly crowd-pleasing music. It's rather idiosyncratic, in fact. Not something you entertain your guests with at a party. However, anyone interested in this album's anthropological angle might indeed find this music interesting. And that might just be reason enough to search this out. Jason Birchmeier, Rovi
- Genre: World, Religious, Latin
- Subgenre: Non-Western Classical Music
- Category Ceremonial
- Label: SMITHSONIAN FOLKWAYS
- Release Date: September 25, 2001
- Artist: Havana Cuba ca. 1957: Rhythms & Songs for Orish
- Additional Artist: Various artists collection