tracks.
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1.StopIlia's Theme 03:01
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2.StopMain Title 01:23
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3.StopKlingon Battle 05:27
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4.StopTotal Logic [#] 03:44
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5.StopFloating Office [#] 01:03
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6.StopThe Enterprise 05:59
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7.StopLeaving Drydock 03:29
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8.StopSpock's Arrival [#] 01:58
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9.StopThe Cloud 04:58
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10.StopVejur Flyover 04:57
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11.StopThe Force Field [#] 05:03
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12.StopGames [#] 03:41
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13.StopSpock Walk 04:19
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14.StopInner Workings [#] 03:01
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15.StopVejur Speaks [#] 03:50
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16.StopThe Meld 03:09
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17.StopA Good Start [#] 02:26
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18.StopEnd Title 03:16
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19.StopStart Trek Theme [*] 01:34
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20.StopIntroduction: Nichelle Nichols [#][*] – Gene Rodenberry 01:13
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21.StopInside Star Trek [*] – Gene Rodenberry 01:04
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22.StopWilliam Shatner Meets Captain Kirk [*] – Gene Rodenberry 09:12
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23.Introduction to Live Show [*] – Gene Rodenberry 00:25
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24.StopAbout Science Fiction [#][*] – Gene Rodenberry 00:40
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25.StopThe Origin of Spock [*] – Gene Rodenberry 01:45
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26.StopSarek's Son Spock [*] – Gene Rodenberry 07:21
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27.StopThe Questor Affair [*] – Gene Rodenberry 03:49
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28.StopThe Genesis II Pilot [#][*] – Gene Rodenberry 02:34
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29.StopCyborg Tools and E.T. Life Forms [#][*] – Gene Rodenberry 04:06
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30.StopMcCoy's Rx for Life [*] – Gene Rodenberry 06:14
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31.StopThe Star Trek Philosopy [*] – Gene Rodenberry 04:40
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32.StopAsimov's World of Science Fiction [*] – Gene Rodenberry 06:27
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33.StopThe Enterprise Runs Around [*] – Gene Rodenberry 01:50
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34.StopA Letter from a Network Censor [*] – Gene Rodenberry 05:03
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35.StopThe Star Trek Dream (Ballad 1/Ballad 2) [*] – Gene Rodenberry 05:43
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36.StopSign off: Nichelle Nichols [#][*] – Gene Rodenberry 00:50
Issued in 1999 after some considerable delay (and heavily available as a promo before that), this double-CD set corrects a lot of the mistakes that were made on the original LP and CD releases. For starters, there are about 20 more minutes of music from the film here -- Columbia Records obviously wanted to hold the original LP release to one disc, but they still could have gotten most, if not all, of the extra material on. The additional music isn't anything profound, because all of the major thematic material was represented on the original LP and its CD equivalent -- it's mostly just more of the Vejur oscillations over dark orchestral chords, but anything that gets more Jerry Goldsmith music into print is intrinsically OK. Indeed, listening to the full score here, it is more apparent than ever just how important Goldsmith's score was to the lethargically paced, deeply troubled film -- almost all of the majesty, excitement, and mystery that the screen was supposed to present actually resides in the music, and Goldsmith probably deserved an Academy Award, not just a nomination, for his contribution to this movie. Additionally, one of the new tracks, "Spock's Arrival," may be the closest that Goldsmith has ever come to writing serious music in a pure Romantic idiom; this could have been the work of Rimsky-Korsakov or Stravinsky -- it's that good. And all of the music has been remastered in state-of-the-art 20-bit sound, so the previously available parts of the score sound deeper and brighter -- one also gets echoes of his score for Alien amid the sweeping orchestral passages. The second disc is given over to the reissue of the mid-'70s Inside Star Trek LP, which was a Columbia release -- it's mostly talk by creator/producer Gene Roddenberry with William Shatner, Leonard Nimoy, DeForest Kelley, James Doohan, and Nichelle Nichols, with some comments by Isaac Asimov, some theme music, and some sound effects. It won't tell you much that the interviews accompanying the Sci-Fi Channel's rebroadcast of the uncut original series didn't, but it's handy to have as an improbable CD re-release. Bruce Eder, All Music Guide
- Genre: Soundtrack
- Subgenre: Film Music
- Category Spy Music, Soundtracks, Original Score, Film Music
- Label: SONY
- Release Date: January 26, 1999
- Artist: Goldsmith Jerry
- Additional Artist: William Shatner (Vocals), Gene Rodenberry (Performer)