tracks.
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1.StopMother Earth – Emitt Rhodes 02:30
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2.StopPardon Me – Emitt Rhodes 02:46
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3.StopTextile Factory – Emitt Rhodes 03:04
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4.StopSomeone Died – Emitt Rhodes 02:04
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5.StopCome Ride, Come Ride – Emitt Rhodes 02:53
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6.StopLet's All Sing – Emitt Rhodes 02:44
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7.StopHolly Park – Emitt Rhodes 02:59
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8.StopSaturday Night – Emitt Rhodes 02:01
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9.StopYou're a Very Lovely Woman – Emitt Rhodes 02:53
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10.StopMary Will You Take My Hand – Emitt Rhodes 02:21
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11.StopThe Man He Was – Emitt Rhodes 02:58
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12.StopIn the Days of the Old – Emitt Rhodes 02:13
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13.Stop'Til the Day After – Emitt Rhodes 02:41
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14.StopWith My Face on the Floor – Emitt Rhodes 03:08
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15.StopSomebody Made for Me – Emitt Rhodes 02:26
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16.StopShe's Such a Beauty – Emitt Rhodes 02:23
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17.StopLong Time No See – Emitt Rhodes 03:18
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18.StopLullabye – Emitt Rhodes 01:05
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19.StopFresh as a Daisy – Emitt Rhodes 02:54
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20.StopLive Till You Die – Emitt Rhodes 02:47
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21.StopPromises I've Made – Emitt Rhodes 03:24
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22.StopYou Take the Dark Out of the Night – Emitt Rhodes 02:58
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23.StopYou Should Be Ashamed – Emitt Rhodes 02:41
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24.StopEver Find Yourself Running – Emitt Rhodes 02:37
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25.StopYou Must Have – Emitt Rhodes 02:10
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26.StopBirthday Lady – Emitt Rhodes 02:50
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27.StopBetter Side of Life – Emitt Rhodes 02:37
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28.StopMy Love Is Strong – Emitt Rhodes 02:39
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29.StopSide We Seldom Show – Emitt Rhodes 02:29
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30.StopMirror – Emitt Rhodes 02:48
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31.StopReally Wanted You – Emitt Rhodes 02:42
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32.StopMedley: Bubble Gum the Blues/I'm a Cruiser – Emitt Rhodes 04:43
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33.StopLove Will Stone You – Emitt Rhodes 03:23
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34.StopGolden Child of God – Emitt Rhodes 02:43
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35.StopTake You Far Away – Emitt Rhodes 03:06
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36.StopWarm Self-Sacrifice – Emitt Rhodes 03:46
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37.StopSee No Evil – Emitt Rhodes 03:48
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38.StopDrawn to You – Emitt Rhodes 03:16
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39.StopBlue Horizon – Emitt Rhodes 02:21
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40.StopShoot the Moon – Emitt Rhodes 03:36
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41.StopOnly Lovers Decide – Emitt Rhodes 03:06
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42.StopTrust One More – Emitt Rhodes 02:40
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43.StopNights Are Lonely – Emitt Rhodes 02:35
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44.StopBad Man – Emitt Rhodes 02:53
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45.StopIn Desperate Need – Emitt Rhodes 03:18
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46.StopThose That Die [From Tame the Lion] – Emitt Rhodes 01:42
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47.StopFarewell to Paradise – Emitt Rhodes 03:59
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48.StopTame the Lion – Emitt Rhodes 02:53
If you are reading this, you must have an interest in the lovely pop/rock sounds of Emitt Rhodes and, simply put, you need to buy this CD. The Emitt Rhodes Recordings 1969-1973 collects all four albums the singer/songwriter/musical wiz recorded over that period of time and adds one extra track (the 1973 single "Tame the Lion"). Stacked back to back, the records Rhodes recorded in that short time stand up as one of the great brief flashes of inspiration and greatness in pop music history.The set starts off with the album Rhodes recorded after his band, the Merry-Go-Round, broke up in 1969. The songs are a mix of newly written ones and Merry-Go-Round leftovers recorded with studio pros filling in for the band. Not surprisingly, the record is a little scattered-sounding, with some of the songs sounding like the Baroque pop that the MGR had mastered ("You're a Very Lovely Woman," "The Man He Was"), some are experiments in different styles (the calypso-tinged "Mary Will You Take My Hand," the folky "Textile Ranch"), and quite a few point toward the simple sound he soon crafted on his debut ("Let's All Sing," "Saturday Night," "Pardon Me"). That self-titled record from 1970 is the best of the bunch; in fact, it is one of the best pop records of the '70s, and sounds like what would have happened had Paul McCartney saved up his most emotionally powerful and melodically rich post-Beatles' songs and recorded them with Badfinger as his backing band. Each song sounds like it should have been a hit single, from the heart-breakingly direct "Long Time No See" or the deceptively jubilant breakup song "With My Face on the Floor," to the anthemic George Harrison-esque "Live Till You Die" or the rollicking "Fresh as a Daisy." The pacing, sound, and feel of the record are as near perfect as you could hope, and the most impressive feat is that Rhodes did everything on the record himself. It's truly a moment of genius that Rhodes found hard to repeat. His next album, 1971's Mirror, repeats the same basic formula as Emitt Rhodes but has fewer knockout songs, and there are some hard rock (on the title track) and blues (on "I'm a Cruiser") influences creeping in around the edges and scuffing up the perfect pop. Still, the album is filled with great songs like the rollicking "Birthday Lady," the rocking "Really Wanted You," and the bleak ballad "Love Will Stone You" that help make the record a solid and highly listenable follow-up. By the time of Farewell to Paradise, though, the twin factors of pressure from the record company and Rhodes' increasing perfectionism led to his recording a melancholy, downhearted album that has far less pop and far more introspection in its soul. There is a newfound feeling of pain and hurt that suffuses Rhodes' vocals on songs like "Trust One More" or "Blue Horizon" that gives the record some real depth, and the less focused and more folky arrangements give the record more of a Van Morrison feel than a McCartney feel. It would be easy to view the record as a disappointment on pure pop terms, but as a statement of Rhodes' disillusionment and frustration, it totally works and actually could be considered a lost treasure of the singer/songwriter era. Hearing it in context of his previous work shows just how much Rhodes had begun to change, and it makes it even more of a loss that Rhodes basically walked away from his career at the age of 24. The Emitt Rhodes Recordings 1969-1973 is essential to any fan of late-'60s/early-'70s pop music and hats off to Hip-O Select for giving Rhodes the attention he deserves. Tim Sendra, Rovi
- Genre: Rock
- Subgenre: Folk/Country Rock, Pop/Rock
- Category AM Pop, Singer/Songwriter
- Release Date: July 14, 2009
- Artist: Rhodes Emitt
- Additional Artist: Emitt Rhodes (Vocals), Emitt Rhodes (Performer)