tracks.
-
1.StopThe Lamb Lies Down on Broadway – Genesis 04:55
-
2.StopFly on a Windshield – Genesis 02:47
-
3.StopBroadway Melody of 1974 – Genesis 01:58
-
4.StopCuckoo Cocoon – Genesis 02:14
-
5.StopIn the Cage – Genesis 08:15
-
6.StopThe Grand Parade of Lifeless Packaging – Brian Eno, Genesis 02:45
-
7.StopBack in N.Y.C. – Genesis 05:49
-
8.StopHairless Heart – Genesis 02:25
-
9.StopCounting out Time – Genesis 03:45
-
10.StopThe Carpet Crawlers – Genesis 05:16
-
11.StopThe Chamber of 32 Doors – Genesis 05:40
-
12.StopLilywhite Lilith – Genesis 02:40
-
13.StopThe Waiting Room – Genesis 05:28
-
14.StopAnyway – Genesis 03:18
-
15.StopThe Supernatural Anaesthetist – Genesis 02:50
-
16.StopThe Lamia – Genesis 06:57
-
17.StopSilent Sorrow in Empty Boats – Genesis 03:06
-
18.StopThe Colony of Slippermen: The Arrival/A Visit to the Doktor/The Raven – Genesis 08:14
-
19.StopRavine – Genesis 02:05
-
20.StopThe Light Dies Down on Broadway – Genesis 03:32
-
21.StopRiding the Scree – Genesis 03:56
-
22.StopIn the Rapids – Genesis 02:24
-
23.StopIt – Genesis 04:58
Given all the overt literary references of Selling England by the Pound, along with their taste for epic suites such as "Supper's Ready," it was only a matter of time before Genesis attempted a full-fledged concept album, and 1974's The Lamb Lies Down on Broadway was a massive rock opera: the winding, wielding story of a Puerto Rican ****** name Rael making his way in New York City. Peter Gabriel made some tentative moves toward developing this story into a movie with William Friedkin but it never took off, perhaps it's just as well; even with the lengthy libretto included with the album, the story never makes sense. But just because the story is rather impenetrable doesn't mean that the album is as well, because it is a forceful, imaginative piece of work that showcases the original Genesis lineup at a peak. Even if the story is rather hard to piece together, the album is set up in a remarkable fashion, with the first LP being devoted to pop-oriented rock songs and the second being largely devoted to instrumentals. This means that The Lamb Lies Down on Broadway contains both Genesis' most immediate music to date and its most elliptical. Depending on a listener's taste, they may gravitate toward the first LP with its tight collection of ten rock songs, or the nightmarish landscapes of the second, where Rael descends into darkness and ultimately redemption (or so it would seem), but there's little question that the first album is far more direct than the second and it contains a number of masterpieces, from the opening fanfare of the title song to the surging "In the Cage," from the frightening "Back in NYC" to the soothing conclusion "The Carpet Crawlers." In retrospect, this first LP plays a bit more like the first Gabriel solo album than the final Genesis album, but there's also little question that the band helps form and shape this music (with Brian Eno adding extra coloring on occasion), while Genesis shines as a group shines on the impressionistic second half. In every way, it's a considerable, lasting achievement and it's little wonder that Peter Gabriel had to leave the band after this record: they had gone as far as they could go together, and could never top this extraordinary album. Stephen Thomas Erlewine, Rovi
- Genre: Rock
- Category Album Rock
- Label: EMI EUROPE GENERIC
- Format: CD
- Release Date: March 23, 2009
- Artist: Genesis [U.K. Band]
- Additional Artist: Phil Collins (Vocals), Brian Eno (Performer), Tony Banks (Vocals), Peter Gabriel (Vocals)