Loading, please wait...
:

product description page

Art as the Absolute : Art's Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer

Art as the Absolute : Art's Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer - image 1 of 1

About this item

Art as the Absolute is a literary and philosophical investigation into the meaning of art and its claims to truth. Exploring in particular the writings of Kant and those who followed after, including Fichte, Schelling, Hegel, Schopenhauer, and Nietzsche, Paul Gordon contends that art solves the problem of how one can “know” the absolute in non-conceptual, non-discursive terms.

The idea of art's inherent relation to the absolute, first explicitly rendered by Kant, is examined in major works from 1790 to 1823. The first and last chapters, on Plato and Nietzsche respectively, deal with precursors and “post-cursors” of this idea. Gordon shows and seeks to reddress the lack of attention to this idea after Hegel, as well as in contemporary reassessments of this period. Art as the Absolute will be of interest to students and scholars studying aesthetics from both a literary and philosophical perspective.

Edition: Reprint
Number of Pages: 195
Genre: Literary Criticism, Philosophy
Format: Paperback
Publisher: Bloomsbury USA Academic
Author: Paul Gordon
Language: English
Street Date: March 23, 2017
TCIN: 51766690
UPC: 9781501330551
Item Number (DPCI): 248-32-6898
If the item details above aren’t accurate or complete, we want to know about it. Report incorrect product info.

Guest reviews

Prices, promotions, styles and availability may vary by store & online. See our price match guarantee. See how a store is chosen for you.