The above item details were provided by the Target Plus™ Partner. Target does not represent or warrant that this information is accurate or complete. On occasion, manufacturers may modify their items and update their labels.
We recommend that you do not rely solely on the information presented. If you have a specific question about this item, you may consult the item's label, contact the manufacturer directly or call Target Guest Services at 1-800-591-3869.
A compact professional hardware control panel featuring 3 high resolution weighted trackballs, 12 control knobs for essential tools and an upper deck with two 5 screens, 8 soft knobs and 8 soft buttons and dedicated keys for switching tools, working with nodes, grabbing stills, navigating the timeline and more!. The DaVinci Resolve Mini Panel is a compact panel that's packed with a massive combination of features and controls! Like the micro panel, you get three professional trackballs along with a variety of buttons for switching tools, adding color correctors and navigating your node tree. It also features two color LCD screens that display menus, controls and parameter settings for the selected tool, along with direct access buttons that let you go direct to the menus for specific DaVinci features. The DaVinci Resolve Mini Panel is ideal for editors and colorists that need to regularly switch between editing and color grading or for freelance colorists that need to take their panel with them when moving between facilities! The mini panel is also great for colorists working on location shoots, for corporate and event videographers, houses of worship and more!. Grading Live On Set. Now post production can begin during production! Cinematographers and colorists on set can use Resolve Live to grade real time video direct from the camera. You get the full creative power of primaries, secondaries, power windows and more! Resolve Live can help you confirm lighting and camera angles on set and lets you save looks that can be applied to you camera RAW files during grading. That means you save time in production and in post because you can see exactly how your shots are going to look when finished!. Feature Film and Post Production. When you have the world's most demanding clients you need to be able to work quickly and handle any challenge they present you with! Only DaVinci Resolve has the image quality, scalable power, performance and incredible award winning control panel that can keep up with you when clients are in the room working with you. DaVinci Resolve handles more native camera files and video formats than any other real time system, that means you can edit and grade virtually any type of footage in real time! That's why DaVinci Resolve has been used on more high end feature films, television commercials, music videos and episodic productions than any other system!. Collaborative Editing and Grading. Now you can have an editor and multiple colorists working on the same timeline simultaneously! DaVinci Resolve lets an editor and multiple colorists on different workstations share the same timeline and work in tandem as they complete shots. A colorist could be pulling a key or tracking windows while another colorist fine tunes grades that are immediately updated as the editor edits. The DaVinci Resolve collaborative workflow lets your creative team break down a large job into parts they can each work on separately!. Editing and Grading for Photographers. If you're a photographer turned cinematographer shooting video with your DSLR or a Blackmagic Cinema Camera, DaVinci Resolve has new RAW image and color grading controls that are familiar to photographers. Now you can adjust images quickly and precisely or even use a color chart to automatically balance your footage! You get the highest possible quality editing and grading because you're working from your camera original files without conversion!. Remote Grading. The unique remote grading features of DaVinci Resolve mean that clients can choose their favorite colorist for the job, no matter where they are in the world! Using a regular internet connection, a colorist on one side of the world can remotely control and grade on another system containing the same media. With remote grading, a colorist in London or LA can collaborate and show his work to a Director in New York, Tokyo or anywhere else at full quality, all in real time!. Multi Camera Productions. Multi camera productions like situation comedies, reality TV and soap operas have a unique and fast pace workflow that require multiple source cameras to playback simultaneously so the editor can cut on the fly. DaVinci Resolve makes it easy to sync multiple cameras manually using marked points or automatically using timecode or audio waveforms. You can then switch cameras just as if it is being cut live with the added benefit of being able to go back and refine the cut with b-roll, alternate takes from a dress rehearsal or intercut with other multi-cam timelines!. Unlimited Grades. DaVinci Resolve uses node based processing where each node can have color correction, power windows and effects. Nodes are similar to layers, but more powerful because you can join unlimited nodes sequentially or in parallel. That means you can combine grades, effects, mixers, keys and even plug-ins in any order to create limitless color effects and unique looks. If things get too crowded you can collapse multiple nodes into a single compound node then save it to your Gallery as a look to be used on other scenes!. Grading from RAW Files. Cinematographers will love the camera RAW palette in DaVinci Resolve 12. You get high quality de-bayer with highlight recovery, white balance, color space and gamma controls, along with adjustments for fine tuning exposure, color temperature, tint, sharpness and more so that you have virtually unlimited creative control over RAW images. Now you can take advantage of the full wide dynamic range of RAW images and pull the maximum detail out of the highlights, shadows and mid tones in real time!. Enhanced Node Editor. DaVinci Resolve 12.5 introduces major enhancements to the node editor so now it's possible to quickly navigate between nodes, swap nodes, select multiple nodes with a lasso, copy node contents, extract nodes, use embedded alpha channels in mattes and more. When dragging a saved grade from the gallery, customers now have the option to drag the grade in as a single compound node or as a fully expanded node tree. These changes allow professional colorists to work even faster, while also making it more intuitive for video editors that are learning how to use Resolve's massive set of color correction tools for the first time. HDR Grading. High dynamic range production is a new deliverable format for feature film and Ultra HD television production because it dramatically improves quality with its massive color gamut and incredibly wide contrast ratio. HDR footage looks more vivid and realistic than ever before! The grading tools in DaVinci Resolve 12.5 Studio can now work in an extended dynamic range especially designed for HDR deliverables such as HDR10 and Dolby Vision. Plus, HDR footage can be cached in visually lossless formats such as ProRes 4444 XQ and DNxHR, which are far more efficient than uncompressed 16-bit float files!. Real Time 3D Stereoscopic Grading and Editing. When you are working on a 3D stereoscopic project it's important to be able to match the grade on both eyes and bring everything into perfect alignment! DaVinci Resolve will edit, grade and display 3D stereoscopic timelines in real time. You can perform side by side, line by line, checkerboard and anaglyph comparison between eyes and use automatic 3D alignment tools to remove slight color or image alignment errors between cameras on 3D rigs. Adjust convergence pan, tilt and zoom and immediately see the results. You can even begin with a 2D timeline and copy all the grades to the other eye ready for trimming. Comprehensive Editing Tools. You get full multi track support with fast and familiar editing tools. There are keyboard shortcuts and toolbar buttons to mark edit points, insert tracks, delete clips and more. You can also simply drop your clips directly into the timeline or drag clips to the edit pop up in the program viewer to quickly perform insert, overwrite, replace, fit to fill, superimpose and now, with DaVinci Resolve 12.5, new ripple overwrite and append at end edits. You can also swap and shuffle edits, extend heads or tails or use the new combined edit and trim commands for even faster editing!. Context Sensitive Trimming. Quickly fine tune your edit using Resolve's innovative context sensitive tools! Depending on where you place the cursor, you can ripple, roll, slip, slide, extend or shorten edits without changing tools. That means you can spend more time fine tuning edits instead of switching tools! You can even trim, slip or slide multiple shots on the same track simultaneously either in the same direction or asymmetrically. Multi-Cam Editing. Multi-camera editing lets editors quickly cut programs while playing back multiple sources in real time. You can synchronize camera angles based on timecode, in/out points or even automatically based on audio waveforms! The source monitor displays a grid containing the camera angles and plays them all back in sync while the you make your cuts to the audio and/or video. DaVinci Resolve 12.5 now automatically places different clips shot with the same camera onto the same angle when creating multiclips! Once you are done with your first cut you can go back and switch to a different camera angle, change audio tracks or trim clips using any of Resolve's powerful trimming tools. Primary Correction Creative Controls. To take your color grading to the next creative level, the DaVinci Resolve Mini and Micro panels include 12 dedicated primary color correction control knobs. These are designed to make it easy for you to stylize the look of your images and generate precise film looks. All knobs can be pressed to instantly reset the control.