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Cinematography in the Weimar Republic : Lola Lola, Dirty Singles, and the Men Who Shot Them (Hardcover)
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Cinematography in the Weimar Republic argues that the new medium of film was preeminent among the avant-garde art forms that distinguished the cultural renaissance of the Weimar Republic and that within this progressive medium cinematographers were the leading purveyors of the new kinetic visual imaginary. Germany’s enduring contribution to film history was the collaborative model of filmemacherin, with directors and cinematographers working together as equal partners.
Number of Pages: 275
Genre: Performing Arts, Art
Series Title: The Fairleigh Dickinson University Press Series in Communication Studies
Publisher: Fairleigh Dickinson Univ Pr
Author: Paul Matthew St. Pierre
Street Date: August 15, 2016
Item Number (DPCI): 248-23-4139
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