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--New York Times Book Review, Editors' Choice
"Kimani has done a game job managing the carpentry of this ambitious novel, bringing great skill to the task of deploying multiple story lines, huge leaps back and forth in time and the withholding and distribution of information...Once Kimani has his plotlines all set, his writing relaxes, and it's here that you can see his raw talent...I have never read a novel about [Kenya] that's so funny, so perceptive, so subversive and so sly."
--New York Times Book Review
"In his American debut, Kimani illustrates the discordant history of East Indians in Kenya through a fabulously complicated set of intriguing characters and events...Highlighted by its exquisite voice, Kimani's novel is a standout debut."
"Kimani's descriptive and inventive prose recounts personal stories of love and tragedy within a context of racial hierarchies and the fallout of colonial rule...Babu's story feels weighted by history in a way that will remind readers of Gabriel Garcia Marquez's work...Kimani's complex novel will leave readers questioning the meanings of citizenship and belonging during an era of significant social upheaval in Kenya's history."
"African colonialism is confronted in this subtle, multilayered Kenyan tale...Lyrical and powerful...Kimani weaves together a bitter, hurtful past and hopeful present in this rich tale of Kenyan history and culture, the railroad, and the men and women whose lives it profoundly affected...This is a thoughtful story about a country's imperialist past."
"The characters are human, teaching us that even someone who does wrong is not all bad, and Kimani writes with such vivid detail that one can easily visualize the vast scenery. Reminiscent of Iman Verjee's Who Will Catch Us as We Fall, this novel will appeal to readers of historical and literary fiction."
"A multi-racial nation-building tale that begins during the construction of the railway from Mombasa to Nairobi. There are three men at its heart: two white, a British administrator known as 'Master' and an Anglican minister; one brown, an Indian technician who sires a male child, a birth that will reverberate down through the years."
Set in the shadow of Kenya's independence from Great Britain, Dance of the Jakaranda reimagines the special circumstances that brought black, brown and white men together to lay the railroad that heralded the birth of the nation.