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Esto Es Arte: Las Obras Que Tienes Que Conocer Para Descifrar El Mundo / This Is Art: The Essential

Esto Es Arte: Las Obras Que Tienes Que Conocer Para Descifrar El Mundo / This Is Art: The Essential - image 1 of 1
Esto Es Arte: Las Obras Que Tienes Que Conocer Para Descifrar El Mundo / This Is Art: The Essential - image 1 of 1
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About this item

Specifications

Number of Pages: 96

Genre: Juvenile Nonfiction

Sub-Genre: Art

Format: Hardcover

Publisher: Montena

Age Range: 9-12 years

Book theme: History

Author: David Armengol

Language: Spanish

Street Date: March 19, 2019
TCIN: 76382274
UPC: 9788417460044
Item Number (DPCI): 248-64-4198

Description

David Armengol (Barcelona, 1974). Mi trabajo curatorial presenta dos focos de inter�s: las estrategias de recepci�n y educaci�n en arte y un an�lisis centrado en la revisi�n de la figura del artista y su funcionalidad social. L�neas de inter�s que me llevan a abordar tem�ticas sensibles a procesos de percepci�n, estados de �nimo y al contacto con otros �mbitos de estudio como la antropolog�a, la psicolog�a, la literatura o el �mbito sonoro. En este sentido, me preocupa especialmente la temporalidad y la condici�n narrativa del hecho expositivo, as� como las posibles conexiones emocionales entre la exposici�n y su p�blico. La condici�n narrativa del arte me permite ensayar otros sistemas de literatura art�stica. En los �ltimos a�os he trabajado en proyectos expositivos derivados de una lectura performativa del paisaje. Actualmente, mi pr�ctica curatorial recupera ciertos intereses en la producci�n sonora, estableciendo links entre arte contempor�neo y contexto musical.

ENGLISH BIOGRAPHY

David Armengol (Barcelona, 1974). My curatorial work has two types of interest: the possibilities of the art writing and the revision and the figure of the artist and the functionality and / or dysfunctionality of art. It's an investigation that opens links with other cultural contexts such as anthropology, psychology, literature or music. I'm mostly interested in the temporary and narrative condition of the exhibition and the possible emotional connections between audience and art. I recent years, I have worked in exhibition projects emerging from different narratives and performative readings of the landscapes. Currently, my curatorial practice recovers certain interests in sound production, establishing links between contemporary art and musical context.

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