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Late Bresson and the Visual Arts : Cinema, Painting and Avant-garde Experiment - (Hardcover)
About this item
Critics have largely neglected the color films of French film director Robert Bresson (1901–99). To correct that oversight, this study presents a revised and revitalized Bresson, comparing his style to innovations in abstract painting after World War II, exploring his affinities with such avant-garde traditions as surrealism, constructivism, and minimalism, and illustrating how his embodied style leads to a complex form of intermediality. Through that analysis, Raymond Watkins shows clearly that Bresson still has a good deal to teach us about cinema’s distinctive ability to draw on painting, photography, sculpture, and the plastic arts in general.
Number of Pages: 298
Genre: Performing Arts, Art
Series Title: Film Culture in Transition
Publisher: Univ of Chicago Pr
Author: Raymond Watkins
Street Date: June 15, 2018
Item Number (DPCI): 248-76-4150
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