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"After the 2010 Haiti earthquake kills her parents, a woman returns to Haiti after leaving it as a child, 25 years ago. A powerful and engrossing story, this read cannot be missed."
--Bustle, 35 Most Anticipated Fiction Books of 2018
"In this fascinating novel about Haitian life, Ulysse beautifully braids together the struggle for personal redemption with the struggle for dignity and human rights."
--Rain Taxi Review of Books
"With lush descriptions and Creole-inflected dialogue, Katia D. Ulysse frankly and deftly writes about the nuances and class differences in Haiti. Mouths Don't Speak explores how trauma touches us at home and abroad, wherever those places may be. This includes the experiences of the underserved kids Jacqueline teaches, American veterans, the earthquake victims, and children and their parents. Ulysse illustrates the complicated but unbreakable connections we have to family and home, and shows how privilege doesn't necessarily keep you from tragedy."
"A captivating portrait of a woman plagued with worry about family and homeland, this beautifully written novel recalls Toni Morrison's Paradise."
"Powerful...As Ulysse explores grief, she moves beyond her protagonist to consider the murky motivations and emotions of other characters. This is a harrowing, thoughtful dive into the aftermath of national and personal tragedies filtered through diasporic life."
"Ulysse punctuates...descriptions of the lush Florestant plantation with insightful observations about strained family dynamics. The ties that bind can also constrict us."
"In Drifting, Ulysse's 2014 story collection, Haitian immigrants struggle through New York City after the 2010 earthquake that destroyed much of their county. In her debut novel, Ulysse revisits that disaster with a clearer and sharper focus. Jacqueline Florestant is mourning her parents, presumed dead after the earthquake, while her ex-Marine husband cares for their young daughter. But the expected losses aren't the most serious, and a trip to freshly-wounded Haiti exposes the way tragedy follows class lines as well as family ones."
"A beautiful exploration of one woman's quest to salvage a life that's been destroyed by an unforseeable natural disaster."
"Katia D. Ulysse's relentless prose delves into the class divide made blatant in the wake of the earthquake while probing the boundaries of the struggles of being a multinational family in a time of crisis."
--World Literature Today
"A heartbreaking symphony of place, time, [and] relationships."
--Rebel Women Lit (on Medium)
"A young mother returns to Haiti after the massive earthquake to deal with the presumed death of her parents, wh