About this item
Believing that one thing was real only insofar as it corresponded with others, twentieth-century artist Ray Johnson highlighted the connections between himself and other artists including Andy Warhol, Jackson Pollock, Anni Albers, and especially Marcel Duchamp. This study of Johnson through the lens of Duchamp and the other artists who inspired him entails the investigation of hieroglyphs, codes, action figures, ****** theory, and cultural history. By examining Johnson’s collage and Correspondence art in relation to his main inspirations, this critical work brings new light to the study of Johnson and to the dynamic networks of artistic inheritance and correspondence of the twentieth century.
Number of Pages: 268
Publisher: Univ of California Pr
Author: Kate Dempsey Martineau
Street Date: June 22, 2018
Item Number (DPCI): 248-79-0237
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