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Shakespeare's Histories on Screen - (Shakespeare and Adaptation) by Jennie M Votava (Hardcover)

Shakespeare's Histories on Screen - (Shakespeare and Adaptation) by  Jennie M Votava (Hardcover) - 1 of 1
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About this item

Highlights

  • This volume reframes the critical conversation about Shakespeare's histories and national identity by bringing together two growing bodies of work: early modern race scholarship and adaptation theory.
  • About the Author: Jennie M. Votava is Associate Professor of English at Allegheny College, USA.
  • 272 Pages
  • Literary Criticism, Shakespeare
  • Series Name: Shakespeare and Adaptation

Description



Book Synopsis



This volume reframes the critical conversation about Shakespeare's histories and national identity by bringing together two growing bodies of work: early modern race scholarship and adaptation theory. Theorizing a link between adaptation and intersectionality, it demonstrates how over the past thirty years race has become a central and constitutive part of British and American screen adaptations of the English histories. Available to expanding audiences via digital media platforms, these adaptations interrogate the dialectic between Shakespeare's cultural capital and racial reckonings on both sides of the Atlantic and across time. By engaging contemporary representations of race, ethnicity, gender, sexuality, disability and class, adaptation not only creates artefacts that differ from their source texts, but also facilitates the conditions in which race and its intersections in the plays become visible.

At the centre of this analysis stand two landmark 21st-century history adaptations that use non-traditional casting: the British TV miniseries The Hollow Crown (2012, 2016) and the American independent film H4 (2012), an all-Black Henry IV conflation. In addition to demonstrating how the 21st-century screen history illuminates both past and present constructions of embodied difference, these works provide a lens for reassessing two history adaptations from Shakespeare's 1990s box office renaissance, when actors of colour were first cast in cinematic versions of the plays. As exemplified by these formal adaptations' reappropriations of race in history, non-traditional Shakespearean casting practices are also currently shaping digital culture's conversations about race in non-Shakespearean period dramas such as Bridgerton.



About the Author



Jennie M. Votava is Associate Professor of English at Allegheny College, USA. She has published essays in Renaissance Drama, Shakespeare Survey, Shakespeare Bulletin, and Contagion and the Shakespearean Stage, eds. Darryl Chalk and Mary Floyd-Wilson (2019).
Dimensions (Overall): 8.5 Inches (H) x 5.5 Inches (W) x .63 Inches (D)
Weight: 1.02 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 272
Series Title: Shakespeare and Adaptation
Genre: Literary Criticism
Sub-Genre: Shakespeare
Publisher: Arden Shakespeare
Format: Hardcover
Author: Jennie M Votava
Language: English
Street Date: July 27, 2023
TCIN: 92064804
UPC: 9781350326644
Item Number (DPCI): 247-10-2180
Origin: Made in the USA or Imported
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Shipping details

Estimated ship dimensions: 0.63 inches length x 5.5 inches width x 8.5 inches height
Estimated ship weight: 1.02 pounds
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