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The Black Dancing Body - by B Gottschild (Paperback)

The Black Dancing Body - by  B Gottschild (Paperback) - image 1 of 1
The Black Dancing Body - by  B Gottschild (Paperback) - image 1 of 1
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About this item


Number of Pages: 332

Sub-Genre: Dance

Format: Paperback

Publisher: Palgrave MacMillan

Book theme: General

Author: B Gottschild

Language: English

Street Date: September 16, 2005
TCIN: 77840402
UPC: 9781403971210
Item Number (DPCI): 247-18-9337


"Anyone interested in dance and in African-American culture will find much to ponder here."--"Publishers Weekly Annex"
"Dixon Gottschild's happiest readers will share her adventurousness, her inclination to listen deeply and learn, and her honesty." --Eva Yaa Asantewaa, "Dance Magazine"
"For anyone who's ever sat in an audience wondering why the folks onstage look so very unlike the folks outside, this invigorating, argumentative, and highly personable book is a must." --Laura Shapiro, "New York"" Magazine"
"With typical generosity, Brenda Dixon Gottschild convenes a discussion of some of the most crucial issues defining black-white relations in contemporary American society. Skillfully weaving her own voice among those of diverse artists, she raises questions about racial stereotypes, expectations, and prejudices as they are experienced by performers and viewers. Because it focuses on the dancing body, situating its cultivation of physicality as part of more general cultural elaborations of corporeality, "The Black Dancing Body" addresses the experience of race at a profound and vital level. Candidly pursuing the racialized experiences of feet, butts, hair, and skin, Dixon Gottschild gives readers an abundance of perspectives, both historical and cultural, on the physical. She invites readers into a dialogue, marked by honesty, courage, and soul, that is capable of moving our bodies and our spirits."--Susan Foster, author of "Reading Dancing: Bodies and Subjects in Contemporary American Dance"
""The Black Dancing Body" is a fresh and surprising collage of a book. It walks around its subject, looking at it from new angles, carefully knocking down cliches and stereotypes, allowing dancers' voices to be heard. The quietest, truest voice is the author's own, as she meditates on her own body and the associations it calls up from her own dancing past and her life as an African American woman. This book must be read, to understand once again wh
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