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The First and Second Parts of King Edward IV - (Revels Plays) by Richard Rowland (Paperback)
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About this item
Highlights
- Edward IV' was one of the most popular plays of the early modern period, making a vital contribution to the genres of both chronicle history and the newly emergent 'domestic' tragedy.
- About the Author: Richard Rowland is Lecturer in English Literature and Drama at the University of York
- 336 Pages
- Literary Collections, European
- Series Name: Revels Plays
Description
About the Book
Edward IV' was one of the most popular plays of the early modern period, making a vital contribution to the genres of both chronicle history and the newly emergent 'domestic' tragedy. It is a work rich with allusions to the political and cultural controversies of its time, and a drama which demonstrates a brilliant if unusual stagecraft.Book Synopsis
Edward IV' was one of the most popular plays of the early modern period, making a vital contribution to the genres of both chronicle history and the newly emergent 'domestic' tragedy. It is a work rich with allusions to the political and cultural controversies of its time, and a drama which demonstrates a brilliant if unusual stagecraft.From the Back Cover
'Edward IV' (1599) was printed no less than six times up to 1626, and was one of the best loved plays of the early modern period, but this edition is the first since the 1870s. The play premiered at a moment when the representation of medieval history in any format was coming under the hostile scrutiny of the Elizabethan government. Yet the playwright produced a text which was at once generically complex (the play blurs the distinction between chronicle history and 'domestic' tragedy), brilliantly assured in its dramatic craftsmanship, and politically explosive.
The text of this new paperback edition has already been used by the actors at Shakespeare's Globe when they gave the first London performance of 'Edward IV' for more than four centuries. By demonstrating the playwright's dextrous marshalling of a remarkable range of sources, and by examining afresh the dramatist's singular theatrical technique, this volume reopens an exciting if difficult play to a new generation of scholars and performers.
About the Author
Richard Rowland is Lecturer in English Literature and Drama at the University of York
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