New Sincerity - (Post*45) by Adam Kelly (Paperback)

About the Book

"The years 1989-2008 were an era of neoliberal hegemony in US politics, economy, and culture. Post45 scholar Adam Kelly argues that American novelists who began their careers during these years - specifically the post-baby-boom generation of writers born between the late 1950s and early 1970s - responded to neoliberalism by developing in their fiction an aesthetics of sincerity. How, and in what way, these writers ask, can you mean what you say, and avow what you feel, when what you say and feel can be bought and sold on the market? What is authentic art in an historical moment when the artist has become a model for neoliberal subjectivity rather than its negation? Through six chapters focused on key writers of the period - including Susan Choi, Helen DeWitt, Jennifer Egan, Dave Eggers, George Saunders, Dana Spiotta, Colson Whitehead, and David Foster Wallace - the book explores these central questions while intervening critically in a set of debates in contemporary literary studies concerning aesthetics, economy, gender, race, class, and politics. Offering the capstone articulation of a set of influential arguments made by the author over a decade and more, New Sincerity constitutes a field-defining account of a period that is simultaneously recent and historically bound, and of a generation of writers who continue to shape the literary landscape of the present"--

Book Synopsis

The years 1989-2008 were an era of neoliberal hegemony in US politics, economy, and culture. Post*45 scholar Adam Kelly argues that American novelists who began their careers during these years--specifically the post-baby boom generation of writers born between the late 1950s and early 1970s--responded to the times by developing in their fiction an aesthetics of sincerity. How, and in what way, these writers ask, can you mean what you say, and avow what you feel, when what you say and feel can be bought and sold on the market? What is authentic art in a historical moment when the artist has become a model for neoliberal subjectivity rather than its negation? Through six chapters focused on key writers of the period--including Susan Choi, Helen DeWitt, Jennifer Egan, Dave Eggers, George Saunders, Dana Spiotta, Colson Whitehead, and David Foster Wallace--the book explores these central questions while intervening critically in a set of debates in contemporary literary studies concerning aesthetics, economy, gender, race, class, and politics. Offering the capstone articulation of a set of influential arguments made by the author over a decade and more, New Sincerity constitutes a field-defining account of a period that is simultaneously recent and historically bound, and of a generation of writers who continue to shape the literary landscape of the present.

Review Quotes

"a highly informed and dynamic take on contemporary American fiction" --Sigolène Vivier, Revue Française d'Études Américaines

"Kelly's monograph is the best book yet written about US fiction in the era of neoliberalism/financial capitalism." --Jeffrey Lawrence, Twentieth-Century Literature

"a deeply knowledgeable, conceptually rigorous, intellectually stimulating, and elegantly written account of a generation's ethical engagement with literature under neoliberalism." --Dolores Resano, Textual Practice

"As the first book-length survey of 'the new sincerity' in American literature, this study fills a significant gap between the peak of postmodernism and the later genre turn in the historicist consideration of early 21st-century American fiction. Kelly deftly embeds insightful and extended commentaries on works by an array of writers... within a rich and sprawling critical discourse about literary sincerity that hearkens back to Lionel Trilling (among others) as well as the potential roles that literary art can play in an age dominated by cultural and political neoliberalism.... Highly recommended." --D. C. Maus, CHOICE

"Kelly is successful in drawing a 'generational portrait' of how American fiction developed between the end of the Reagan presidency and the 2008 financial crisis." --Zach Gibson, Los Angeles Review of Books

"Kelly... handles a big literary movement, complex political and economic ideas, and a dozen prominent authors in a conversational style that centers his love of reading in ways academic writing typically fails to do. His book is an exciting conversation that tempts the reader to drop everything and re-enroll as an undergrad." --Michael Maiello, Washington Independent Review of Books

"New Sincerity is a blockbuster, the deepest account we have of the complex ethical orientation of a whole generation of US writers to neoliberal capitalism. Kelly ably revivifies the literary period immediately preceding our own in all its conflicted glory." --Mark McGurl, Stanford University

"New Sincerity provides a compelling framework for understanding millennial American literature. Kelly traces a generation's commitment to sincerity in its fiction and culture, while revealing its failures to wholly escape the market values and dictates it contests." --Ralph Clare, Boise State University

"Adam Kelly is one of the liveliest and most exciting thinkers around." --Paul Murray, author of The Bee Sting

"For well over a decade, my conversations with Adam Kelly have made a vibrant addition to my writing life, both strengthening my awareness of my literary context and helping me to define--and even understand--what I'm trying to do." --Jennifer Egan, author of The Candy House

"Kelly is a major voice in the scholarly conversation on contemporary US fiction. This book is both a lucid summary and a brilliant further development of his important arguments about New Sincerity aesthetics." --Lee Konstantinou, University of Maryland, College Park

"This groundbreaking book is riveting to read, philosophically sophisticated, and politically insightful. Equally sensitive to the historical and the aesthetic, the economic and the existential, Kelly sets a new standard for the expressive power of literary criticism." --Martin Hägglund, Yale University

About the Author

Adam Kelly is Associate Professor of English, University College Dublin, Ireland.