About this item
Highlights
- This book contains conversations with over a dozen African American musicians currently performing--or who have previously performed--in America's major symphony orchestras.
- About the Author: Robert Lee Watt studied French horn at the New England Conservatory of Music with Harry Shapiro of the Boston Symphony.
- 272 Pages
- Music, Genres & Styles
Description
About the Book
This book contains conversations with over a dozen African American musicians currently performing-or who have previously performed-in America's major symphony orchestras. These conversations shed light on the realities of African American musicians playing in a musical envi...Book Synopsis
This book contains conversations with over a dozen African American musicians currently performing--or who have previously performed--in America's major symphony orchestras. These conversations shed light on the realities of African American musicians playing in a musical environment that forbade their membership over half a century ago.
Review Quotes
"In this spirited collection of conversations, Robert Watt lucidly unveils the underpinnings of little-known stories about African Americans in classical music. It's a striking potpourri of perspectives."
"Thisis a groundbreaking exploration of African American musicians who shared incredible stories about the racism and biases they encountered as members of American symphony orchestras. Robert Lee Watt has made an outstanding contribution to this critical issue. The interviews are both compelling and powerfully rendered, and I sincerely hope that it will be an invaluable resource for students, teachers, orchestra musicians and anyone who cares about diversity and equity in cultural institutions."
"Watt's new book provides the reader with a valuable bird's eye view of the progress and the challenges that remain, spanning the past 40 to 50 years since the American Symphony Orchestra Leagues' efforts to achieve diversity in America's orchestras. I highly recommend this book to all that have an interest in the behind-the-scenes life and work of African American symphony orchestra members."
About the Author
Robert Lee Watt studied French horn at the New England Conservatory of Music with Harry Shapiro of the Boston Symphony. In 1970, he was hired by the Los Angeles Philharmonic as assistant first French horn under maestro Zubin Mehta, making him the first African American French hornist hired by a major symphony in the United States.
