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The Visual Elements--Abstraction - by  Felice C Frankel (Paperback) - 1 of 1

The Visual Elements--Abstraction - by Felice C Frankel (Paperback)

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Highlights

  • For anyone interested in visual communication, a training guide for evaluating and developing visual representations for the big ideas in science and technology, essential skills for journal submissions, grant applications, and public understanding.
  • About the Author: Felice C. Frankel is an award-winning science photographer and research scientist in the Department of Chemical Engineering, with support from Mechanical Engineering, at the Massachusetts Institute of Technology.
  • 208 Pages
  • Art, Reference
  • Series Name: Visual Elements

Description



About the Book



"For anyone interested in visual communication, a training guide for evaluating and developing visual metaphors for the big ideas in science and technology, an essential skill for journal submissions, grant applications, and public understanding. As a scientist, engineer, or other researcher, you may have written an abstract. In a paragraph, you explain the purpose of your research, your approach, the questions you have asked and answered, and your work's impact. The abstract is a summary and an invitation-to read the paper, attend your talk, and join you in your thinking. You may even have been asked to create a visual abstract-a single image-to achieve the same goals. As a designer or public information officer, you may have had a similar brief-to explain a compelling subject with a visual for a journal cover or press release. And yet, this important skill-devising visual metaphors-isn't typically taught. With her decades of experience creating compelling images and instructing MIT researchers, award-winning photographer and science communicator Felice C. Frankel helps readers evaluate and create their own visual abstractions. Like in her other books in the Visual Elements series, on photography and design, Frankel asks readers to evaluate different choices-for example, in conveying the uncertainty of a hurricane's path or the organization of the Standard Model for elementary particles. But in Abstraction, she offers more. With examples from science, engineering, and beyond, the book helps readers consider and evaluate the visuals around them and determine how they work and when they fail. Is this representation the best for communication? Will these abstractions continue to invite others to think more deeply about my research? Will they mislead? Will they help my ideas evolve? Frankel invites researchers to think about the many meanings behind their images-and, in turn, more deeply about their research"-- Provided by publisher.



Book Synopsis



For anyone interested in visual communication, a training guide for evaluating and developing visual representations for the big ideas in science and technology, essential skills for journal submissions, grant applications, and public understanding.

As a scientist, engineer, or other researcher, you may have written an abstract. In a paragraph, you explain the purpose of your research, your approach, the questions you have asked and answered, and your work's impact. The abstract is a summary and an invitation--to read the paper, attend your talk, and join you in your thinking. You may even have been asked to create a visual abstract--a single image--to achieve the same goals. As a designer or public information officer, you may have had a similar brief--to explain a compelling subject with a visual for a journal cover or press release. And yet, this important skill--devising visual metaphors--isn't typically taught. With her decades of experience creating compelling images and instructing MIT researchers, award-winning photographer and science communicator Felice C. Frankel helps readers evaluate and create their own visual abstractions.

Like in her other books in the Visual Elements series, on photography and design, Frankel asks readers to evaluate different choices--for example, in conveying the uncertainty of a hurricane's path or the organization of the Standard Model for elementary particles. But in Abstraction, she offers more. With examples from science, engineering, and beyond, the book helps readers consider and evaluate the visuals around them and determine how they work and when they fail: Is this representation the best for communication? Will these abstractions encourage others to engage with my work? Will they mislead? Will they help my ideas evolve? Frankel invites researchers to think about the many meanings behind their images--and, in turn, to think more deeply about their research.



Review Quotes




"An accessible guide for scientists and engineers to learn how to create graphics to illustrate their work. [Frankel] delves into the importance of thinking visually and what that really means, as well as provides case studies and advice."

-- "American Scientist, on "The Visual Elements--Design""

"An outstanding resource with thoughtful analysis of the best practices intended for anyone interested in improving their communication through information visualization."

-- "Technical Communication, on "The Visual Elements--Photography""

"Compelling. . . . Loaded with stunning visuals. . . . A useful and accessible guide that gives a holistic view."

-- "Visual Resources Association Bulletin, on "The Visual Elements--Photography""

"Eminently sensible. . . . A valuable addition to the aspiring scientist's bookshelf."

-- "Metascience, on "The Visual Elements--Design""

"Frankel has made a name for herself by helping scientists augment their work with pictures that capture, represent, and communicate science, including many journals' cover photos. . . . 'It's not about pretty pictures, ' she says. 'It's really about communication. And pushing the researcher to think beyond the good enough.'"

-- "Science, on The Visual Elements series"

"It is rare that a book inspires creativity and is at the same time so useful and instructive."

-- "American Journal of Physics, on "The Visual Elements--Photography""

"Should be on the desks of all researchers, engineers, and science communicators."

-- "The Well-read Naturalist, on The Visual Elements series"

"This book makes you think more deeply about how you present your research and how you communicate with your audience. . . . [Recommended] to all scientists and illustrators of science."

-- "The Marine Biologist, on "The Visual Elements--Design""

"Frankel is a pioneer in her field who has helped many scientists visualize their work in interesting and effective ways. This latest book in her series highlights a region of unexplored territory. It is not so much a 'how-to' for accomplishing certain effects (or avoiding common blunders) but rather an invitation to think more broadly about what the visual abstract should convey and how to do it in simple terms. An exciting addition."

--Sidney R. Nagel, Stein-Freiler Distinguished Service Professor, Department of Physics, University of Chicago



About the Author



Felice C. Frankel is an award-winning science photographer and research scientist in the Department of Chemical Engineering, with support from Mechanical Engineering, at the Massachusetts Institute of Technology. Working in collaboration with scientists and engineers, Frankel has had images appear in Nature, Science, Cell, TheNew York Times, National Geographic, PNAS, Newsweek, Scientific American, Discover, Popular Science, and New Scientist, among others. She is the coauthor of Visual Strategies and author of Picturing Science and Engineering; The Visual Elements--Photography and The Visual Elements--Design, both also published by the University of Chicago Press; and most recently, Phenomenal Moments: Revealing the Hidden Science Around Us.

Dimensions (Overall): 8.5 Inches (H) x 5.5 Inches (W) x .5 Inches (D)
Weight: 1.0 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 208
Genre: Art
Sub-Genre: Reference
Series Title: Visual Elements
Publisher: University of Chicago Press
Format: Paperback
Author: Felice C Frankel
Language: English
Street Date: August 3, 2026
TCIN: 1011087890
UPC: 9780226848280
Item Number (DPCI): 247-42-6265
Origin: Made in the USA or Imported
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