Triple-band bass distortion pedal delivers precise control over drive across the full-frequency spectrum
Signal splits into Dark, Medium and Light bands, each with its own dedicated distortion circuit
Independent controls for each band shape the character and intensity of drive
Three “Roast” knobs act as level controls to balance each band in the final mix
Multi-band design preserves low-end clarity while adding targeted grit and saturation
Description
Traditional bass distortion often comes at a cost—low end disappears, clarity suffers and control is limited. The Ashdown Triple Shot overdrive pedal is built to solve that problem by rethinking how drive is applied across signal. Instead of treating tone as a single block, it splits signal into three distinct frequency bands—Dark, Medium and Light—each routed through its own distortion circuit. Dedicated controls for each band shape both the character and level of drive, while the three “Roast” knobs act as individual level controls to balance how much of each band is present in the final mix. The result is a high-gain bass overdrive that lets add grit, weight and presence exactly where want it, without sacrificing the foundation of sound. Three-Band Distortion Architecture for Targeted Drive and Full-Range Clarity At the core of the Triple Shot is its multi-band design, where signal is divided into low-, mid- and high-frequency ranges before being processed independently. Each band is fed into its own distortion generator, allowing to push low-end weight, midrange growl or high-end bite without affecting the rest of tone. This approach keeps low frequencies intact and controlled while letting shape the character of drive across the spectrum. Once processed, the bands are recombined into a cohesive signal, delivering a full, articulate overdriven sound that retains depth and definition. Independent “Roast” Controls for Precision Tone Shaping and Dynamic Range Each frequency band features its own “Roast” control, allowing to set the level of distortion independently across Dark, Medium and Light ranges. This gives the ability to fine-tune how much drive is applied in each part of signal, from subtle midrange texture to full-spectrum saturation. With all Roast controls dialed back, the pedal can function as a straightforward EQ, but as bring them in, the interaction between bands creates a wide range of tonal possibilities. Small adjustments can significantly reshape sound, offering a highly responsive and detailed approach to dialing in ideal drive tone. Sensitive Control Response and Integrated VU Meter for Consistent Signal Balance The Triple Shot’s controls are highly responsive, allowing for precise adjustments that can dramatically change the character of tone. This sensitivity makes it possible to dial in everything from controlled, mix-ready drive to more aggressive, saturated textures. A built-in VU meter provides visual feedback on signal level, helping maintain consistent output as shape tone. With straightforward connectivity and a compact design, the Ashdown Triple Shot overdrive delivers a focused, performance-ready solution for bassists who want complete control over their distortion without sacrificing clarity or low-end presence.
Dimensions (Overall): 3.0 inches (H) x 6.5 inches (W) x 7.0 inches (D)
Weight: 2.55 pounds
Electronics Condition: New
Effect Type: Distortion, Fuzz, and Overdrive
Battery: Optional, Not Included
TCIN: 1004891531
UPC: 607469927734
Origin: made in the USA or imported
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Shipping details
Estimated ship dimensions: 7 inches length x 6.5 inches width x 3 inches height
Estimated ship weight: 2.55 pounds
This item cannot be shipped to the following locations: American Samoa (see also separate entry under AS), Guam (see also separate entry under GU), Northern Mariana Islands, Puerto Rico (see also separate entry under PR), United States Minor Outlying Islands, Virgin Islands, U.S., APO/FPO, Alaska, Hawaii
item ships from third party seller: Musician's Friend
Return details
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