Performance art theorist Claire Bishop delineates the history and significance of Merce Cunningham's public, participatory EventsFrom 1964 until his death, choreographer Merce Cunningham (1919-2009) produced over 800 Events.
Author(s): Claire Bishop
120 Pages
Art, Individual Artists
Description
Book Synopsis
Performance art theorist Claire Bishop delineates the history and significance of Merce Cunningham's public, participatory Events
From 1964 until his death, choreographer Merce Cunningham (1919-2009) produced over 800 Events. Each Event comprised a different sequence of excerpts from his repertory, parts of works in progress and new material; all lasted about 90 minutes. They were performed in museums, galleries, gymnasiums, theaters, public squares and on television. A dance history written from the perspective of art history, this book provides a new approach to understanding Cunningham's innovative format. Claire Bishop, professor at the CUNY Graduate Center, argues that the Events anticipate a contemporary culture of curating and remixing, while providing an ideal lens for tracing the Merce Cunningham Dance Company's history. In closing, she returns to the question of dance in museums, and what the Events open up in terms of spectatorship and contemporary developments in choreography.
Dimensions (Overall): 8.4 Inches (H) x 5.3 Inches (W) x .6 Inches (D)
Weight: .71 Pounds
Suggested Age: 22 Years and Up
Sub-Genre: Individual Artists
Genre: Art
Number of Pages: 120
Publisher: Walther Konig Verlag
Theme: Monographs
Format: Paperback
Author: Claire Bishop
Language: English
Street Date: April 15, 2025
TCIN: 94337270
UPC: 9783753307169
Item Number (DPCI): 247-51-3428
Origin: Made in the USA or Imported
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Estimated ship weight: 0.71 pounds
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