Dead Kennedys - by Alex Ogg (Paperback)

Book Synopsis

Dead Kennedys routinely top both critic and fan polls as the greatest punk band of their generation. Their debut full-length, Fresh Fruit for Rotting Vegetables, in particular, is regularly voted among the top albums in the genre. Fresh Fruit offered a perfect hybrid of humor and polemic strapped to a musical chassis that was as tetchy and inventive as Jello Biafra's withering broadsides. Those lyrics, cruel in their precision, were revelatory. But it wouldn't have worked if the underlying sonics were not such an uproarious rush, the paraffin to Biafra's naked flame.

Dead Kennedys' continuing influence is an extraordinary achievement for a band that had practically zero radio play and only released records on independent labels. They not only existed outside of the mainstream but were, as V. Vale of Search and Destroy noted, the first band of their stature to turn on and attack the music industry itself. The DKs set so much in motion. They were integral to the formulation of an alternative network that allowed bands on the first rung of the ladder to tour outside of their own backyard. They were instrumental in supporting the concept of all-ages shows and spurned the advances of corporate rock promoters and industry lapdogs. They legitimized the notion of an American punk band touring internationally while disseminating the true horror of their native country's foreign policies, effectively serving as anti-ambassadors on their travels.

The book uses dozens of first-hand interviews, photos, and original artwork to offer a new perspective on a group who would become mired in controversy almost from the get-go. It applauds the band's key role in transforming punk rhetoric, both polemical and musical, into something genuinely threatening--and enormously funny. The author offers context in terms of both the global and local trajectory of punk and, while not flinching from the wildly differing takes individual band members have on the evolution of the band, attempts to be celebratory--if not uncritical.

Review Quotes

"We have a sense of humor and we're not afraid to use it in a vicious way if we have to. In some ways, we're cultural terrorists, using music instead of guns."
--Jello Biafra, Dead Kennedys

"It was obvious that DKs weren't just another band that was gonna come and go. They were something special. Biafra was an absolute talent. And he had a band behind him that were tight and good."
--Howie Klein, concert promoter, disc jockey, and record label executive

"One day, this kid from my social studies class brought in a cassette tape of Dead Kennedys' Fresh Fruit for Rotting Vegetables and I listened to it and my life was changed completely."
--Adam Gierasch, film director

"One of my favorite rock 'n' roll memories is of an after-party during DKs' first visit to Seattle. Recognize that bands like this for me--these actual guys being at a party in the same house that I was in--was like being in the presence of Led Zeppelin or Kiss."
--Duff McKagan of Guns 'n' Roses

"My education was punk rock--what Dead Kennedys said... It was attacking America, but it was American at the same time."
--Billie Joe Armstrong of Green Day

About the Author

Alex Ogg is a freelance writer and journalist whose work has appeared in numerous publications, including the Guardian and the Times. He is the author of several music titles, including The Hip Hop Years: A History of Rap and No More Heroes: A Complete History of UK Punk from 1976 to 1980, and the coauthor of The Art of Punk, which was named a 2012 book of the year by the Independent. Ruby Ray is a former staff photographer for Search & Destroy magazine, for which she photographed acts such as Dead Kennedys, Devo, Flipper, the Sex Pistols, and X. Her work has been collected in From the Edge of the World: California Punk, 1977-1981. She lives in San Francisco. Winston Smith is an artist known for his use of "hand-carved" collage. He first came to prominence through his collaborations with Dead Kennedys, for which he created numerous album covers, inserts, and flyers. He lives in San Francisco.