Michael Spyres - In The Shadows (CD)

Michael Spyres is a singer who challenges and reshapes perceptions - as his albums BariTenor and Contra-Tenor have shown. Now, preparing for his debut at the Bayreuth Festival in Summer 2024, he searches In the Shadows to reveal more about Wagner and the origins of his music dramas. "Wagner evokes a varying spectrum of emotions - awe, ecstasy, even trepidation," explains Spyres. "This album endeavours to illuminate the composers who languish in the shadows, who formed the foundation of Wagner's compositions and sculpted the framework of vocal writing for the Wagnerian tenor." In the Shadows culminates with three arias by Wagner - from Lohengrin and the lesser-known Die Feen and Rienzi. Preceding them are early 19 th century arias by composers of the French, German and Italian schools: Méhul, Beethoven, Rossini, Meyerbeer, Weber, Auber, Spontini, Bellini and Marschner. Spyres' distinguished companions in his exploration are the players of Les Talens Lyriques and their conductor Christophe Rousset. Michael Spyres's new album seeks to illuminate the composers who "languish in the shadows": those who formed the foundation for Wagner's compositions and sculpted the vocal writing framework of the Wagnerian tenor. In performing and exploring works by pre-Wagnerian composers such as Auber, Bellini, Berlioz, Mehul, Meyerbeer, Rossini, and Spontini, he shines a light on the influences that shaped Wagner into the legendary composer he became. For Michael Spyres, Mehul and Spontini laid the groundwork for Wagner's orchestral and dramatic palette; Meyerbeer, Halevy, and Rossini shaped his understanding of compositional form, overtures, and the structural nuances of storytelling. On the his most recent album, Contra-Tenor, Gramophone wrote: "... it's an enthralling disc as one might expect, and the best of it is sensational indeed."

Track List:

Disc: 1

1. Joseph: "Vainement Pharaon" - "Champs paternels" (Joseph)
2. Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan)
3. Elisabetta, regina d'Inghilterra: "Della cieca fortuna… Sposa amata" - "Saziati, o sorte ingrata ?" (Leicester)
4. Il crociato in Egitto: "Suona funerea" (Adriano)
5. Der Freischütz, Op. 77, J. 277: "Nein, Länger Trag Ich Nicht" (Max)
6. La muette de Portici: "Spectacle affreux" (Masaniello)
7. Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich)
8. Norma: "Meco all'altar di Venere" - "Me protegge, me difende" (Pollione, Flavio)
9. Hans Heiling, Op. 80: "Gönne mir ein wort der Liebe" (Konrad)
10. Die Feen: "Wo find ich dich, wo wird mir Trost?" (Arindal)
11. Rienzi: "Allmächt’ger Vater, blick herab" (Rienzi)
12. Lohengrin: "Mein lieber Schwan" (Lohengrin)