Digital Culture in Contemporary Fiction - (Liverpool Science Fiction Texts and Studies) by Jaime Harrison (Hardcover)

About the Book

Through readings of work by Joshua Cohen, Nicola Barker, Neal Stephenson and Grasshopper Manufacture, Digital Culture in Contemporary Fiction offers the first analysis of the representation of computational algorithms and their cultural consequences in twenty-first-century fiction, defining an emerging tradition of fiction attempting to redefine the novel's relevance within digital culture.

Book Synopsis

What does it mean to be human in a world increasingly determined by algorithms? How can fiction articulate identity and subjectivity in the face of technology which seeks to reduce us to raw data? These questions drive a growing body of fiction about our contemporary moment, written by authors whose interests extend beyond simply writing about digital culture on a surface level but who seek to delve into the computational constructs which underpin it. Through readings of novels by Joshua Cohen, Nicola Barker, and Neal Stephenson, and a visual novel developed by Grasshopper Manufacture, Digital Culture in Contemporary Fiction offers the first analysis of the representation of computational algorithms and their cultural consequences in twenty-first-century fiction. Harrison theorizes a new cultural moment in which he places these authors, one characterized by a turn in software development towards incorporating models derived from behavioural psychology, and vitally fuelled by an abundance of data. Throughout its readings, Digital Culture in Contemporary Fiction traces how each author gestures towards the literary and philosophical hermeneutics of algorithms and, in doing so, defines an emerging tradition of fiction attempting to redefine the novel's relevance within digital culture.

Review Quotes

'This book does important and original work in defining a body of contemporary novelistic interpretations of and reactions against the dominance of digital media today. One of the great strengths of the book is its success in theorizing a new cultural moment, both in terms of how novelists have mobilized humanistic traditions to "take something back" from the Internet (to use a formulation of Joshua Cohen that Harrison cites, to great effect) and in terms of defining the specificity of our current moment of "Big Data," algorithmic culture, and automated data-mining.' -Thomas Foster, Professor of English, University of Washington

About the Author

Jaime Harrison is an Associate Lecturer in the School of Arts, English and Languages at Queen's University Belfast.