Kerry James Marshall: The Complete Prints - by Susan Tallman (Hardcover)

Book Synopsis

A complete survey of Marshall's prints from the 1970s to the present, with many previously unseen works

Kerry James Marshall is famed for his beautifully executed paintings that address the under-representation of the Black figure in the Western pictorial tradition. Though best known as a painter, Marshall has throughout his career also produced a vast graphic oeuvre that has been seldom seen and rarely documented. Marshall spent his youth building his craft in drawing and painting, but also in wood engraving and printing; by his mid-twenties, he recalls, "I could do woodcuts, etchings, aquatints." Most of his prints have been produced not in professional print workshops but by the artist, working alone in his studio. They range from images the size of postcards to his 50-foot-long, 12-panel woodcut Untitled (1998-99), to iterations of his ongoing magnum opus Rythm Mastr. And while some have entered prominent museum collections, many exist only in private collections or the artist's archive and are unknown to the public. This catalogue raisonné offers the first public account of these important works and the first in-depth study of the role of printed images and print processes in Marshall's work as a whole.
Kerry James Marshall was born in Birmingham, Alabama, in 1955, later moving to Los Angeles. He taught painting for many years at the School of Art and Design at the University of Illinois at Chicago. In 2013, he was named for the Committee on the Arts and the Humanities by President Barack Obama. In 2017, Marshall was included on the annual Time 100 list of the most influential people in the world. The National Cathedral in Washington, DC, is currently working with Marshall to create two new stained-glass windows. Marshall lives and works in Chicago.
Massachusetts- and Berlin-based art historian Susan Tallman has written extensively on contemporary art, the history of prints and aspects of authenticity.

Review Quotes

As Tallman's book makes clear, Marshall's abiding interest lies in the exploration that is born in making interconnected, often printed images that jumble and fuse. This interest may be the source of his singular creative output, which has made him one of the most consistently innovative artists of our time.--Françoise Mouly "New Yorker"

Traces a lifelong reverence for the materiality of all visual art.--Lauren Christensen "The New York Times Book Review"

About the Author

Susan Tallman is a critic and art historian, who has written extensively on contemporary art, the history of prints, and other aspects of art and culture. A regular contributor to New York Review of Books, she has authored and co-authored many books and museum catalogues, most recently No Plan At All: How the Danish Printshop of Niels Borch Jensen Redefined Artists Prints for the Contemporary World (2021), The American Dream: Pop to the Present (2017). In 2011 she co-founded the journal Art in Print and served as its Editor-in-Chief until its closure in 2019.