Pattern Cutting for Men's Costume - (Backstage) by Elizabeth Friendship (Paperback)
About this item
Highlights
- Pattern Cutting for Men's Costume is a practicalguide featuring patterns for the most important garments worn by menbetween the 16th and 19th centuries.
- About the Author: Elizabeth Friendship wrote the system of cutting for Royal WelshCollege of Music and Drama and taught there for over 25 years.
- 224 Pages
- Performing Arts, Theater
- Series Name: Backstage
Description
About the Book
Pattern Cutting for Men's Costume is a practical guide featuring patterns for the most important garments worn by men between the 16th and 19th centuries.Book Synopsis
Pattern Cutting for Men's Costume is a practical
guide featuring patterns for the most important garments worn by men
between the 16th and 19th centuries. Easy-to-follow instructions
explain how to cut patterns for 'average' and individual measurements -
with expert advice on how to adapt patterns to fit men of all shapes
and sizes.
men's dress - revealing how garments evolved - and patterns for period
garments for which there are no actual examples are based on
contemporary paintings. Illustrated throughout with hundreds of
diagrams, this is a much-awaited and valuable addition to the library
of costume-makers in all fields. Features a new system of drafting patterns for men's period costume.
Includes patterns for the most important non-fashionable garments
(worn from the 16th to the 19th centuries) plus clothes in vogue from
the middle of the 16th to the end of the 18th centuries.
Illustrated with hundreds of diagrams accompanied by step-by-step
instructions for period garments, plus a few versatile theatrical
designs.
Review Quotes
"visually handsome" --Costume - 2010
About the Author
Elizabeth Friendship wrote the system of cutting for Royal Welsh
College of Music and Drama and taught there for over 25 years. For
several years she did all the cutting for the Welsh National Opera, and
prior to that she cut all costumes at the Citizen's Theatre. She
trained in Fashion at St Martin's School of Art, London and her first
job was drafting patterns at J.P Coats.