The Arab Nahda as Popular Entertainment - by Hala Auji & Raphael Cormack & Alaaeldin Mahmoud

About the Book

"What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did cafâe culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities? Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focussed on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, this book heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafâes, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did"--

Book Synopsis

What was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities? Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focussed on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, this book heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did.

Review Quotes

Auji, Cormack and Mahmoud succeed in curating a groundbreaking contribution to Nahdah studies. Commuting between canonical and lesser-known texts and authors, Arab Nahda as Popular Entertainment originally considers the intersection of textuality and print culture with the materiality of popular culture. Dwelling in the seams between the anxieties and stabilizations of modern Arab national subjectivities. This collection rewards us with powerful new insights into the centrality of staging, performance, and negotiating gender and class positionalities within the Arab Nahda.
Stephen Sheehi, Professor, William and Mary, USA

By focusing on the production and reception of popular culture --theater, cabaret, music, film and performance-- from Iraq to North Africa, The Arab Nahda as Popular Entertainment marks a groundbreaking and refreshing new approach to the study of the Nahda from a transnational and interdisciplinary perspective. By turns erudite, thought-provoking and entertaining, the essays in this important new volume are essential reading for scholars and students of the global cultural histories of modernity.
Samah Selim, Professor, Rutgers University, USA

This volume offers a series of fascinating case studies that explores the performance of popular culture in different genres across the Arab world during a time of great change. Grounded in some exciting source material, it raises the curtain on popular entertainment that ranges from its local specific and subversive dimension to its wider regional importance as part of the Arab nahda.
Senior Lecturer in Modern Middle Eastern History, University of Edinburgh, UK

About the Author

Hala Auji is Associate Professor of art history and the Hamad bin Khalifa Endowed Chair for Islamic Art in the Department of Art History at the School of the Arts, Virginia Commonwealth University in Richmond, Virginia, USA. She is the author of Printing Arab Modernity: Book Culture and the American Press in Nineteenth-Century Beirut (2016). Auji received her PhD in Art History from Binghamton University, the State University of New York.

Raphael Cormack is Assistant Professor of Arabic at the Durham University, UK. He was previously a visiting researcher at Columbia University in the City of New York and holds a PhD from the University of Edinburgh. His most recent publication was Midnight in Cairo: The Divas of Egypt's Roaring 20s (2021). He has also edited two collections of Arabic short stories translated into English, The Book of Khartoum and The Book of Cairo.

Alaaeldin Mahmoud is Assistant Professor of English in the Liberal Arts Department at the American University of the Middle East in Kuwait. He is a former Fulbright visiting Scholar at Ohio State University. He is an established translator who translated books of travel writing, fiction, and literary studies, notably his translation of Other Renaissances: A New Approach to World Literature (Kuwait, 2014). His latest book Nusus 'Abd Allah al-Nadim (The Texts of 'Abd Allah al-Nadim) was published in two volumes: al-Diwan al-Shi'ri (The Complete Collected Poems), and al-Athar al-Nathriya al-Kamila (Complete Works in Prose) (Cairo, 2020).