Alison Light - Inside History - (Feminist Library: Essays in Cultural Criticism) (Paperback)
About this item
Highlights
- Alison Light - Inside History addresses a number of the central preoccupations within feminist cultural criticism over this period: the nature of writing by women and what women writers might or might not share; the place of such writing in any literary history or cultural analysis; the politics of popular culture and the question of pleasure; women's relation to ideas of national identity and other forms of belonging; and finally, their contribution to life-writing in its different genres.
- About the Author: Alison Light is a writer and Honorary Professor in the Department of English, University College London; she is also an Honorary Professorial Fellow at Edinburgh University and a non-stipendiary Senior Research Fellow in English and History at Pembroke College Oxford.
- 244 Pages
- Literary Criticism, Women Authors
- Series Name: Feminist Library: Essays in Cultural Criticism
Description
About the Book
A collection of thought-provoking essays spanning thirty-five years of Alison Light's work.
Book Synopsis
Alison Light - Inside History addresses a number of the central preoccupations within feminist cultural criticism over this period: the nature of writing by women and what women writers might or might not share; the place of such writing in any literary history or cultural analysis; the politics of popular culture and the question of pleasure; women's relation to ideas of national identity and other forms of belonging; and finally, their contribution to life-writing in its different genres. The volume offers a lively, wide-ranging way into feminist debates, touching on a number of major authors from Alice Walker to Virginia Woolf, on genre fiction, and on the writing of memoir and biography. Chronologically arranged, the essays and short 'think-pieces' chart Alison Light's own intellectual formation as a critic and writer within a wider collective politics. This is explored and contextualised in an autobiographical introduction.
From the Back Cover
The Feminist Library Series Editors: Jackie Jones, Alison Light & Gill Plain Brings together the pioneering work of leading feminist cultural and literary critics for a new generation of readers. Alison Light - Inside History: From Popular Fiction to Life-Writing A collection of thought-provoking essays spanning thirty-five years of Alison Light's work. Inside History addresses a number of the central preoccupations within feminist cultural criticism over this period: the nature of writing by women and what women writers might or might not share; the place of such writing in any literary history or cultural analysis; the politics of popular culture and the question of pleasure; women's relation to ideas of national identity and other forms of belonging; and finally, their contribution to life-writing in its different genres. The volume offers a lively, wide-ranging way into feminist debates, touching on a number of major authors from Alice Walker to Virginia Woolf, on genre fiction, and on the writing of memoir and biography. Chronologically arranged, the essays and short 'think-pieces' chart Alison Light's own intellectual formation as a critic and writer within a wider collective politics. This is explored and contextualised in an autobiographical introduction. Alison Light is a writer and Honorary Professor in the Department of English, University College London; she is also an Honorary Professor at Edinburgh University and a non-stipendiary Senior Research Fellow in English and History at Pembroke College Oxford. She is the author of a number of books, including Common People: The History of an English Family (Penguin 2014), which was shortlisted for the Baillie Gifford prize, and her most recent, A Radical Romance, which won the 2020 PEN Ackerley prize for memoir. She writes regularly for the London Review of Books.Review Quotes
[Alison Light - Inside History] enthusiastically and eloquently moves in many different directions. It is a work of fine writing as well as pioneering scholarship. Though an intensely personal writer, Light is always aware of her audience. She refuses to talk down to them and writes in a manner that is friendly, learned and accessible. She is one of the most human and humane writers of Modern British History at the moment and for that she richly deserves to have this collection of essays read widely by all those interested in British history, feminism and literature.--Matthew C. Hendley, SUNY Oneonta "Gender & History"
Alison Light writes with brilliance and wit. For her history is made up of memory and dreams, dreams are a common inheritance, every human life - however abject its conditions - has power.Light's essays dazzle and unsettle.-- "Sally Alexander, Goldsmith's College, London"
Fascinating. . . Alison Light - Inside History is itself a feminist library awaiting Light's devoted readers as well as new feminists eager to understand how Light's past writings and her writings about the past, define the scope of literary and cultural studies.--Kristin Bluemel, Monmouth University
It's to be hoped [...] that this collection is a way-marker in Light's writing career rather a valedictory. It serves as a reminder of how much has changed in literary studies and UK Higher Education more generally in the past thirty years, as well as charting the intellectual development of a scholar whose work has always sought to reach beyond the confines of the academy.--Victoria Stewart "Women: a cultural review"
About the Author
Alison Light is a writer and Honorary Professor in the Department of English, University College London; she is also an Honorary Professorial Fellow at Edinburgh University and a non-stipendiary Senior Research Fellow in English and History at Pembroke College Oxford. She is a Fellow of the Royal Society of Literature and the author of a number of books, including Common People: The History of an English Family (Penguin 2014), which was shortlisted for the Baillie Gifford prize, and her most recent, A Radical Romance, which won the 2020 PEN Ackerley prize for memoir. She writes regularly for the London Review of Books.