Approaches to Emotion in Middle English Literature - (Manchester Medieval Literature and Culture) by Carolyne Larrington

About the Book

A significant new account of emotion in Middle English literature, proposing key methodologies for the analysis of feeling and affect in literary texts.

Book Synopsis

A significant new account of emotion in Middle English literature, proposing key methodologies for the analysis of feeling and affect in literary texts. It shows how contemporary audiences learned to understand emotion in themselves and others, through empathetic response, the development of fictionality and the emergence of interiority.

From the Back Cover

This groundbreaking book explores key methods for investigating emotions in medieval literary texts, drawing on psychological theory, research in the history of emotions and close critical reading to uncover the emotional repertoire in play in English literary culture between 1200-1500.

The book comprehensively illuminates medieval philosophical and physiological theorisations of emotion, closely bound up with cognitive processes. It investigates the changing lexis for emotion in Middle English, examining how translations from French affect the ways in which feelings are imagined and takes a detailed look at bodily affect, both involuntary displays and deliberate gesture, showing how performativity and performance become interlinked as more sophisticated models of selfhood emerge. Concepts of interiority and the public persona complicate the changing modes through which feeling is expressed. Literary texts are pre-eminently devices for producing emotion of various kinds; the book proposes new ways of tracing how authors built into their narratives techniques for eliciting feelings, and their emotional effects on audiences. By the end of the medieval period, two vital developments had expanded the possibility for varied and complex emotional expression in texts: the development of the long-form romance, encouraged by the advent of printing, and the concept of auto-fiction. New possibilities emerged for authors to write the emotional self.

Through its comprehensive account of emotions in the medieval period, Approaches to emotion in Middle English literature explores how literary texts educated and informed their audiences about changing ways to be human in medieval England.

Review Quotes

'This book is warmly recommended to anyone interested in the periodization of English literature, audience response and subjectivity and the emergence of the individual, as well as the study of emotions in literature.'
-The Medieval Review

'This is a truly accomplished book: a landmark study in a crowded field.'
-Stephanie Trigg, University of Melbourne

'The study of medieval emotions is a garden that continues to bloom lavishly, but it also bristles with theoretical concepts. Armed with Carolyne Larrington's new book, as with a stout pair of secateurs, the reader will find that the thistles can be plucked with the flowers. It is difficult to do justice to the many observations and ideas offered in this book.'
-Alice Jorgensen, Trinity College, Dublin

About the Author

Carolyne Larrington is Emerita Professor of Medieval European Literature at the University of Oxford