Art, Travel, and Exchange Between Iberia and Global Geographies, C. 1400-1550 - (Art and Material Culture in Medieval and Renaissance Europe)

About the Book

Ranging from Antwerp to Potosí, this volume analyses the migration of objects and artists to and from the Iberian Peninsula and its extra-peninsular territories in the 15th and 16th centuries. The volume redefines this long-marginalised region as a 'diffuse artistic centre' in close contact with Europe and the wider world.

Book Synopsis

Traditional narratives hold that the art and architecture of the Iberian Peninsula in the late 15th century were transformed by the arrival of artists, objects, and ideas from northern Europe. The year 1492 has been interpreted as a radical rupture, marking the end of the Islamic presence on the peninsula, the beginning of global encounters, and the intensification of exchange between Iberia and Renaissance Italy.
This volume aims to nuance and challenge this narrative, considering the Spanish and Portuguese worlds in conjunction, and emphasising the multi-directional migrations of both objects and people to and from the peninsula. This long-marginalised region is recast as a 'diffuse artistic centre' in close contact with Europe and the wider world. The chapters interweave varied media, geographies, and approaches to create a rich tapestry held together by itinerant artworks, artists, and ideas.
Contributors are Luís Urbano Afonso, Sylvia Alvares-Correa, Vanessa Henriques Antunes, Piers Baker-Bates, Costanza Beltrami, António Candeias, Ana Cardoso, Maria L. Carvalho, Maria José Francisco, Bart Fransen, Alexandra Lauw, Marta Manso, Eva March, Encarna Montero Tortajada, Elena Paulino Montero, Fernando António Baptista Pereira, Joana Balsa de Pinho, María Sanz Julián, Steven Saverwyns, Marco Silvestri, Maria Vittoria Spissu, Sara Valadas, Céline Ventura Teixeira, Nelleke de Vries, and Armelle Weitz.