About this item
Highlights
- Beyond Realism: Naturalist Film in Theory and Practice is the first major critical study of international naturalist cinema.
- Author(s): Robert Singer
- 280 Pages
- Performing Arts, Film
Description
About the Book
Examines the unique cultural and critical history of international naturalist cinema.Book Synopsis
Beyond Realism: Naturalist Film in Theory and Practice is the first major critical study of international naturalist cinema.
Often mistaken for realist film, international naturalist cinema has a unique cultural and critical history. From its earliest representation in silent films such as Walsh's Regeneration (1915), and Eisenstein's Stachka/Strike (1925), to recent productions such as Chukwu's Clemency (2019), and Aronofsky's The Whale (2022), the naturalist film narrative encompasses the whole of film history, traversing language, movement, and genre. The naturalist film is predicated on two foundational, intersecting paradigms that configure as one ideological system in an overarching scientific and social experimental narrative. Either the scientific or social paradigm may be dominant in the film narrative or they may simply co-exist, but a naturalist film reveals both templates and, most significantly, suggests an implicit cinematic anthropology that renders the body as an observed spectacle.
Review Quotes
Beyond Realism: Naturalist Film in Theory and Practice is a treatise on naturalist themes and the moving image, a platform of continuous intertextual references. With this book, Singer takes us on a fascinating (inter)national journey of theories, genres and themes dedicated to the naturalist film, while also presenting a renewed vision of ourselves and our bodies as spectacles.
--José Duarte, Film Studies Professor at the School of Arts and Humanities, ULisboa."Robert Singer's Beyond Realism: Naturalist Film in Theory and Practice is a comprehensive guide to naturalistic film; Singer has been the leading global expert on this topic for many years. His book is a life's work. He is able to move from the dark corners and sharp bright angles of early film to similar naturalist concerns in cinema today: social struggle, poverty, homelessness, violence, injustice, the naturalistic body, psychological conflicts, and many other features. It's an erudite but engaging read and a must for any naturalist or film student."
--Jeanne Campbell Reesman, Professor Emerita, University of Texas at San AntonioRobert Singer's Beyond Realism: Naturalist Film in Theory and Practice is a breathtakingly comprehensive and insightful investigation of naturalist themes in film. From Lumière actualités to the latest examples of international cinema, each chapter focuses on a separate facet of "naturalism's grinding tradition" and its themes of violence, degradation, disease, and the tension between the human spirit and naturalism's relentless assault on the body.
--Professor Donna M. Campbell, author of Bitter Tastes: Literary Naturalism and Early Cinema in American Women's WritingBoth a radical and fundamentally joyous celebration of Naturalist cinema, Singer here transcends the orthodox dominance of Realism on cinema discourse and painstakingly presents another way of thinking about the relationship of our world to the one we see on screen.--Alexandra Heller-Nicholas "Film International"
This illuminating study is very good at finding themes, images, and figures--mine, factory, morgue, Darwin, Dr. Moreau--with which to organize its avowedly experimental, critical excursion.--S. C. Dillon "CHOICE connect"