Big Black: Stand at Attica - by Frank Big Black Smith & Jared Reinmuth (Paperback)

About the Book

"Four days in 1971 changed the course of American history"--Cover.

Book Synopsis

A graphic novel memoir from Frank "Big Black" Smith, a prisoner at Attica State Prison in 1971, whose rebellion against the injustices of the prison system remains one of the bloodiest civil rights confrontations in American history.

FOUR DAYS IN 1971 CHANGED THE COURSE OF AMERICAN HISTORY. THIS IS THE TRUE STORY FROM THE MAN AT THE CENTER OF IT ALL.

In the summer of 1971, the New York's Attica State Prison is a symbol of everything broken in America - abused prisoners, rampant racism and a blind eye turned towards the injustices perpetrated on the powerless. But when the guards at Attica overreact to a minor incident, the prisoners decide they've had enough - and revolt against their jailers, taking them hostage and making demands for humane conditions. Frank "Big Black" Smith finds himself at the center of this uprising, struggling to protect hostages, prisoners and negotiators alike. But when the only avenue for justice seems to be negotiating with ambitious Governor Nelson Rockefeller, Big Black soon discovers there may be no hope in finding a peaceful resolution for the prisoners in Attica.

Written by Jared Reinmuth and Frank "Big Black" Smith himself, adapted and illustrated by Ameziane, Big Black: Stand At Attica is an unflinching look at the price of standing up to injustice in what remains one of the bloodiest civil rights confrontations in American history.

Praise for Big Black: Stand at Attica
"The stellar artwork by Améziane (Muhammad Ali) includes tabloidlike chapter openers rendered with bold fonts and exaggerated letterboxes. His expressive realism and muted colors invoke a nostalgic 1970s pulp effect reminiscent of Ed Piskor's work. This penetrating portrait of a broken correctional system and a flawed man focuses on his legacy of courage, which towers over the forces stacked against him." - Publishers Weekly, starred review

"Ame´ziane's (Muhammad Ali) gritty, expressive illustration and muted color palette present this unflinching depiction of the brutal price the Attica inmates paid for demanding civil rights in a style evocative of the 1970s Hollywood Renaissance aesthetic. Sure to be one of the most discussed books this year."- Library Journal

"Seriously, this is a fantastic piece of literature." - Graphic Policy

"If you have an interest in history, memoir, social justice, or just the life of a good man in an extraordinary circumstance, you should track down a copy and experience the story directly." - Black Nerd Problems

Review Quotes

"Big Black: Stand at Attica is a striking and powerful look at a dark chapter in American civil rights history."-- "Comic Book Resources"

"Disturbing, horrifying, brutal, sad. Saddest of all, everything that happens within its pages...is still going on."--Ho Che Anderson, King: A Comics Biography

"Don't sleep on "Stand at Attica"--I read it last night and was blown away... beautifully illustrated, carefully researched, and lovingly written. This is history brought alive."--Andrew Aydin, co-author of Rep. John Lewis' March graphic novel trilogy

"I found it painful to read in a single sitting because of the raw emotion of it. It's a tragic story, as are the events that shaped it. Written skillfully by Jared Reinmuth, drawn with purpose by Améziane, Big Black: Stand at Attica is just a brilliantly done book."--Jamal Igle, creator of Molly Danger and artist on Black

"If you have an interest in history, memoir, social justice, or just the life of a good man in an extraordinary circumstance, you should track down a copy and experience the story directly."-- "Black Nerd Problems"

"This book grabs you on the first page and never lets you go. The heroism and the horror of Attica is all there... This is a must read book for everyone."--Reginald Hudlin

"Sure to be one of the most discussed books this year."-- "Library Journal Starred Review"

"The stellar artwork by Améziane (Muhammad Ali) includes tabloidlike chapter openers rendered with bold fonts and exaggerated letterboxes. His expressive realism and muted colors invoke a nostalgic 1970s pulp effect reminiscent of Ed Piskor's work."-- "Publishers Weekly Starred Review"

"Vividly illustrates the uprising at Attica and emphasizes its important place in ongoing struggles for justice."-- "Shelf Awareness Starred Review"