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Boredom - (Whitechapel: Documents of Contemporary Art) by Tom McDonough (Paperback)

Boredom - (Whitechapel: Documents of Contemporary Art) by  Tom McDonough (Paperback) - 1 of 1
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Highlights

  • Boredom in modern and contemporary art: as something to be struggled against, embraced as an experience, or explored as a potential site of resistance.Without boredom, arguably there is no modernity.
  • Author(s): Tom McDonough
  • 240 Pages
  • Art, Criticism & Theory
  • Series Name: Whitechapel: Documents of Contemporary Art

Description



About the Book



Boredom in modern and contemporary art: as something to be struggled against, embraced as an experience, or explored as a potential site of resistance.



Book Synopsis



Boredom in modern and contemporary art: as something to be struggled against, embraced as an experience, or explored as a potential site of resistance.

Without boredom, arguably there is no modernity. The current sense of the word emerged simultaneously with industrialization, mass politics, and consumerism. From Manet onwards, when art represents the everyday within modern life, encounters with tedium are inevitable. And starting with modernism's retreat into abstraction through subsequent demands placed on audiences, from the late 1960s to the present, the viewer's endurance of repetition, slowness or other forms of monotony has become an anticipated feature of gallery-going.

In contemporary art, boredom is no longer viewed as a singular experience; rather, it is contingent on diverse social identifications and cultural positions, and exists along a spectrum stretching from a malign condition to be struggled against to an something to be embraced or explored as a site of resistance. This anthology contextualizes the range of boredoms associated with our neoliberal moment, taking a long view that encompasses the political critique of boredom in 1960s France; the simultaneous aesthetic embrace in the United States of silence, repetition, or indifference in Fluxus, Pop, Minimalism and conceptual art; the development of feminist diagnoses of malaise in art, performance, and film; punk's social critique and its influence on theories of the postmodern; and the recognition, beginning at the end of the 1980s, of a specific form of ennui experienced in former communist states. Today, with the emergence of new forms of labor alienation and personal intrusion, deadening forces extend even further into subjective experience, making the divide between a critical and an aesthetic use of boredom ever more tenuous.

Artists surveyed include
Chantal Akerman, Francis Alÿs, John Baldessari, Vanessa Beecroft, Bernadette Corporation, John Cage, Critical Art Ensemble, Merce Cunningham, Marcel Duchamp, Fischli & Weiss, Claire Fontaine, Dick Higgins, Jasper Johns, Donald Judd, Ilya Kabakov, Boris Mikhailov, Robert Morris, John Pilson, Sigmar Polke, Yvonne Rainer, Robert Rauschenberg, Ad Reinhardt, Gerhard Richter, Situationist International, Mierle Laderman Ukeles, Andy Warhol, Faith Wilding, Janet Zweig

Writers include
Ina Blom, Nicolas Bourriaud, Jennifer Doyle, Alla Efimova, Jonathan Flatley, Julian Jason Haladyn, The Invisible Committee, Jonathan D. Katz, Chris Kraus, Tan Lin, Sven Lütticken, John Miller, Agné Narusyté, Sianne Ngai, Peter Osborne, Patrice Petro, Christine Ross, Moira Roth, David Foster Wallace, Aleksandr Zinovyev

Dimensions (Overall): 8.3 Inches (H) x 5.9 Inches (W) x .9 Inches (D)
Weight: 1.25 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 240
Genre: Art
Sub-Genre: Criticism & Theory
Series Title: Whitechapel: Documents of Contemporary Art
Publisher: MIT Press
Format: Paperback
Author: Tom McDonough
Language: English
Street Date: January 27, 2017
TCIN: 1003615686
UPC: 9780262533447
Item Number (DPCI): 247-18-6745
Origin: Made in the USA or Imported
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Shipping details

Estimated ship dimensions: 0.9 inches length x 5.9 inches width x 8.3 inches height
Estimated ship weight: 1.25 pounds
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