About this item
Highlights
- A comprehensive study of cannibalism in literature and film, spanning colonial fiction, Gothic texts and contemporary American horror.
- About the Author: JENNIFER BROWN completed her PhD in English literature in Trinity College Dublin, Ireland in 2010.
- 258 Pages
- Performing Arts, Film
Description
About the Book
"From images of stewed missionaries to Hannibal Lecter's hiss, cannibals have intrigued while evoking horror and repulsion. The label of cannibal has been used throughout history to denigrate a given individual or group. By examining who is labelled cannibal at any given time, we can understand the fears, prejudices, accepted norms and taboos of society at that time. From the cannibal in colonial literature, to the idea of regional Gothic and the hillbilly cannibal, to serial killers, this book examines works by writers and directors including Joseph Conrad, H. Rider Haggard, Thomas Harris, Bret Easton Ellis, Cormac McCarthy, Wes Craven, and Tim Burton. It explores questions of cultural identity and otherness in the modern period, offering an important and original examination of cultural norms and fears with reference to national, economic, linguistic, and sexual identity. Amidst the sharp teeth and horrific appetite of the cannibal, the book examines real fears of over-consumerism and consumption that trouble an ever-growing modern world"--Book Synopsis
A comprehensive study of cannibalism in literature and film, spanning colonial fiction, Gothic texts and contemporary American horror. Amidst the sharp teeth and horrific appetite of the cannibal, this book examines real fears of over-consumerism and consumption that trouble an ever-growing modern world.Review Quotes
"Brown's text usefully removes the study of cannibalism from the dominance of low cultural and low budget texts, and refreshingly exposes the permeability of the concept by mapping its appearance in high, middle and low cultural environs. By combining three centuries of cannibalistic depictions, Brown charts an expansive history which ultimately acts as a valuable entrance point in the study of the fictional cannibal. The correlation Brown finds between the cannibal's portrayal and the cultural, political, religious and geographical othering of certain peoples by the dominant Western media is hard to ignore; in short, Brown's book is an important
addition to the broader scholarly canon." - Crime, Media Culture (2015)
About the Author
JENNIFER BROWN completed her PhD in English literature in Trinity College Dublin, Ireland in 2010. She has been a teacher of English language and literature for nine years, teaching in Ireland, Spain and Italy. She has presented at the International Gothic Association conference and published reviews with the Irish Journal of Gothic and Horror Studies.