Christine Sun Kim: All Day All Night - by Jennie Goldstein & Pavel S Pys & Tom Finkelpearl (Hardcover)

About the Book

"This volume surveys Christine Sun Kim's works across painting, sculpture, drawing, moving image, performance, large-scale murals and collaborations with other artists made between 2011 and 2024. Kim's practice considers how sound operates in society, deconstructing the politics of sound and exploring how oral languages operate as social currently. Identifying as Deaf and Korean American, Kim draws on musical notation, written language, infographics, American Sign Language (ASL) and the use of the body, strategically deploying humor to examine communication with her family and her community, and to create new channels of dialogue with wide audiences. Published alongside the traveling exhibition, All Day All Night is brimming with supplementary texts from curators, artists and scholars, including an interview between Christine Sun Kim and exhibition curators Tom Finkelpearl, Jennie Goldstein and Pavel S. Pyâs; scholarly contributions by Seth Kim-Cohen, Jeffrey Yasuo Mansfield and Park McArthur; and an intimate artist timeline compiled by Brandon Eng and Rose Pallone. A substantial plate section follows these enriching text contributions"--

Book Synopsis

"[Her] poetic and political art pushes viewers to consider the limits, and misunderstandings, that come with communication in any language." --Andrew Russeth, the New York Times

This volume surveys Christine Sun Kim's works across painting, sculpture, drawing, moving image, performance, large-scale murals and collaborations with other artists made between 2011 and 2024. Kim's practice considers how sound operates in society, deconstructing the politics of sound and exploring how oral languages operate as social currency. Identifying as Deaf and Korean American, Kim draws on musical notation, written language, infographics, American Sign Language (ASL) and the use of the body, strategically deploying humor to examine communication with her family and her community and to create new channels of dialogue with wide audiences.
Published alongside the traveling exhibition, All Day All Night is brimming with supplementary texts from curators, artists and scholars, including an interview between Christine Sun Kim and exhibition curators Tom Finkelpearl, Jennie Goldstein and Pavel S. Pys; scholarly contributions by Seth Kim-Cohen, Jeffrey Yasuo Mansfield and Park McArthur; and an intimate artist timeline compiled by Brandon Eng and Rose Pallone. A substantial plate section follows these enriching text contributions.
Christine Sun Kim (born 1980) is an American artist based in Berlin. Her work explores her relationship to spoken and signed languages, to her built and social environments and to the world at large. Kim has exhibited and performed internationally, including at the Queens Museum, New York (2022); the Drawing Center, New York (2022); Whitney Biennial, New York (2019); Albright-Knox Art Gallery, Buffalo (2019); and the Art Institute of Chicago (2018).

Review Quotes

The current survey of her career since 2011 ... offers a transect through her impressive body of drawings, manifesting an undeniable insurrection in the disability line.--Mara Mills "Artforum"

Working across drawing, performance, video and large-scale murals, Kim explores her relationship to spoken and signed languages, to her built and social environments, and to the world at large.--Christina Yang "Brooklyn Rail"

[Christine Sun Kim's] first major museum show at the Whitney in New York, 'All Day All Night, ' is a mixture of wry, witty, puzzling and angry works. They aren't always subtle or alluring, but they alert us to the nuances and poetry, the joy and bitterness of living in, and also outside, the hearing world.--Ariella Budick "The Financial Times"

[Christine Sun Kim] a semiotician of the most contemporary strain, probing not just language and its limits but the nature of communication itself, how we transmit ideas and what is gained or lost in the various modes, symbols and attitudes we deploy.--Brian P. Kelly "The Financial Times"

Artist Christine Sun Kim shaves language down to its bones, upending the visual lexicon of infographics to transcribe Deaf experiences in a world of exclusionary norms.--Natalie Haddad "Hyperallergic"

Through acts of translation that are alternatively hilarious, furious, and moving, Kim makes the air hum with the previously unperceived dimensions of ordinary things, from the physical pressure of bureaucratic power to the linework of movement to the music in everyday situations.--Lisa Yan Zhang "Hyperallergic"