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Cocktails with George and Martha - by Philip Gefter

Cocktails with George and Martha - by Philip Gefter - 1 of 1
$19.89 sale price when purchased online
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About this item

Highlights

  • "Very smart and entertaining . . . dishy-yet-earnest . . . Gefter shows why Who's Afraid of Virginia Woolf?
  • About the Author: Philip Gefter is the author of What Becomes a Legend Most: The Biography of Richard Avedon; Wagstaff: Before and After Mapplethorpe, which received the 2014 Marfield Prize for arts writing; and an essay collection, Photography After Frank.
  • 368 Pages
  • Performing Arts, Film

Description



About the Book



An award-winning writer reveals the behind-the-scenes story of the provocative play, the groundbreaking film it became, and how two iconic stars changed the image of marriage forever.



Book Synopsis



"Very smart and entertaining . . . dishy-yet-earnest . . . Gefter shows why Who's Afraid of Virginia Woolf? hit the '60s like a torpedo."-NPR, Fresh Air

"Raucous, unpredictable, wild, and affecting."-Entertainment Weekly

An award-winning writer reveals the behind-the-scenes story of the provocative play, the groundbreaking film it became, and how two iconic stars changed the image of marriage forever.

From its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn't be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

Then, Hollywood took a colossal gamble on Albee's sophisticated play-and won. Costarring Elizabeth Taylor and Richard Burton, the sensational 1966 film minted first-time director Mike Nichols as industry royalty and won five Oscars. How this scorching play became a movie classic-surviving censorship attempts, its director's inexperience, and its stars' own tumultuous marriage-is one of the most riveting stories in all of cinema.

Now, acclaimed author Philip Gefter tells that story in full for the first time, tracing Woolf from its hushed origins in Greenwich Village's bohemian enclave, through its tormented production process, to its explosion onto screens across America and a permanent place in the canon of cinematic marriages. This deliciously entertaining book explores how two couples-one fictional, one all too real-forced a nation to confront its most deeply held myths about relationships, sex, family, and, against all odds, love.



Review Quotes




"Delicious . . . unapologetically obsessive . . . [Gefter gets] to the marrow: of male ego, rushing into new projects with hubris and jostling for posterity." --New York Times Book Review

"A lively, well-researched book that displays great affection for the film and the highly gifted and vastly troublesome people who made it." --Glenn Frankel, Washington Post

"Good, harrowing fun . . . Just as the extreme nature of George and Martha's all-night brawl helps us to understand all marriages, the antics of Liz and Dick and Mike and Ernie reveal the love-hate dynamic that's common to all artistic collaborations." --The Wall Street Journal

"Gefter deftly blends social history, textual analysis, and Hollywood gossip to probe [Who's Afraid of Virginia Woolf?]'s appeal." --The New Yorker

"Very smart and entertaining . . . dishy-yet-earnest . . . Gefter shows why Who's Afraid of Virginia Woolf? hit the '60s like a torpedo." --NPR, Fresh Air

"Raucous, unpredictable, wild, and affecting." --Entertainment Weekly

"In this well researched and deliciously dishy new book, Philip Gefter explores the world that shaped Albee and how he used it to develop his great work, and follows the ups and downs involved in creating the film-Elizabeth Taylor and Richard Burton were just the beginning!-to paint an incredible picture of the creative process among some of the brightest minds of their time." --Town & Country, Best Books of the Year

"Are you a movie buff? Do you enjoy watching Oscar-winning films? Maybe you loved reading the original Who's Afraid of Virginia Woolf by Edward Albee? If any of these are true, you've found your next read. This 2024 treat of a book is the kind of well-crafted tale that does its subject justice while still managing to spill all the tea" --Reader's Digest

"If you know the play 'Who's Afraid of Virginia Woolf?' and the movie starring Elizabeth Taylor and Richard Burton, Philip Gefter's book is likely to satisfy you in a number of ways." --New York Sun

"Charming . . . filled with enjoyable anecdotes and recollections of how Hollywood accidentally makes great movies from time to time." --The New Republic

"Highly entertaining . . . No matter how long you've adored Woolf (in either medium), this insightful, stylish chronicle may have you gazing at a longtime companion with fresh-even passionate-eyes. Don't forget: George and Martha love to fight another day." --American Theatre

"Multilayered and eminently revisitable (like the play and the film), Gefter's wonderful book helps readers reevaluate vis-a`-vis values prevalent half a century later." --Library Journal, starred review

"A cinematic history of an explosive portrayal of marriage . . . [Gefter] takes a deep dive into the genesis, making, and reception of the movie, from its 1962 beginnings on Broadway (the first three-acter for playwright Edward Albee) to its transformation into the acclaimed movie starring Elizabeth Taylor and Richard Burton . . . Gefter offers a close reading of the movie to support his assessment of it as 'era-defining' . . . A penetrating examination of a bold film." --Kirkus Reviews

"[An] erudite study . . . Gefter persuasively credits the film with setting the template for more bracing Hollywood depictions of love after romance's first blush. This will renew readers' admiration for the classic film and its source material." --Publishers Weekly

"[Gefter] virtuosically plumbs the depths of Albee's masterwork and its cultural impact . . . Cocktails with George and Martha offers a gimlet-eyed interpretation of Albee's play, and by book's end, readers should be fully behind Gefter's submission that Virginia Woolf challenged 'the hypocrisies of mainstream America, herald[ed] the sexual revolution, and register[ed] an entirely new psychological dimension to the public discourse." --Shelf Awareness

"Gefter filters the limelight cast on, and by, iconic personalities into a kind of granular beam. Irradiating long-archived details, he interrogates monumentalized reputations up close, weighs the bad and good in a crumbling studio system, and explores the movie's influences and origins." --Air Mail

"Terrific! With a dynamically deft touch, Philip Gefter chronicles how a uniquely volatile mix of timing, talent, pressure, and passion turned a landscape-altering play into a cinematic detonation. Savor this juicy bit of time travel, because we'll never see the likes of these people and these circumstances again." --Steven Soderbergh, Academy Award-winning filmmaker

"The high-stakes film adaptation of Edward Albee's famous play was turbocharged by the real-life chemistry between Elizabeth Taylor and Richard Burton. They were the perfect couple to play the shockingly honest George and Martha. This book vividly captures the realities of marriage, onscreen and off, taking the reader into the fraught fictional world of Who's Afraid of Virginia Woolf? as well as its stars' famously passionate and volatile relationship." --Kate Andersen Brower, #1 New York Times-bestselling writer and author of ELIZABETH TAYLOR: THE GRIT AND GLAMOUR OF AN ICON

"A finely detailed, step-by-step, sometimes day-by-day account of Who's Afraid of Virginia Woolf? - from the play to the movie and beyond. I thought I knew this story already, but Philip Gefter's book is full of surprising twists, startling quotes, and striking insights. Many marriages are examined: not just George and Martha, of course, and Liz and Dick, but the intimate, radioactive partnership of a hungry writer-producer and a rising young director. This is a wonderfully readable work of cultural history, sexual politics, and social comedy." --Christopher Bram, author of EMINENT OUTLAWS: THE GAY WRITERS WHO CHANGED AMERICA

"With a critical acumen as keen as his eye for a juicy anecdote, Philip Gefter goes spelunking into the deep history of Who's Afraid of Virginia Woolf?, a work that would scandalize audiences and transform two artistic mediums during a pivotal four-year stretch of the mid-twentieth century. No one who's interested in the history of theater, film, media censorship, or good old-fashioned celebrity gossip should miss the chance to read this book." --Dana Stevens, author of CAMERA MAN: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century

"Film and theater buffs will absolutely inhale this account of how Edward Albee's Who's Afraid of Virginia Woolf? changed American theater forever, then became a classic 1966 film starring Elizabeth Taylor and Richard Burton. How the scorching play became a movie classic - and its stars' own tumultuous marriage - is one of the most exciting stories about classic cinema." --People.com, "20 Books That Will Top Dad's TBR List This Holiday Season"

"Gefter delves into the behind-the-scenes story of Who's Afraid of Virginia Woolf? and its legendary film adaptation, brilliantly capturing the intersection of art and reality. Edward Albee's 1962 play shattered conventions with its searing portrayal of a broken marriage, while the 1966 film, starring Elizabeth Taylor and Richard Burton, brought that volatile dynamic to life both on and off screen. Gefter masterfully connects the fictional couple's scalding love with the tumultuous relationship of its stars, making this a riveting read that explores how art not only reflects but magnifies the complexities of real-life relationships." --Indulge




About the Author



Philip Gefter is the author of What Becomes a Legend Most: The Biography of Richard Avedon; Wagstaff: Before and After Mapplethorpe, which received the 2014 Marfield Prize for arts writing; and an essay collection, Photography After Frank. He is a regular contributor to the New Yorker's Photobooth, Aperture, and the New York Times, where he was an editor and photography critic for over fifteen years. Gefter produced the award-winning documentary, Bill Cunningham: New York. He lives in New York City.
Dimensions (Overall): 9.06 Inches (H) x 6.3 Inches (W) x 1.42 Inches (D)
Weight: 1.45 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 368
Genre: Performing Arts
Sub-Genre: Film
Publisher: Bloomsbury Publishing
Theme: History & Criticism
Format: Hardcover
Author: Philip Gefter
Language: English
Street Date: February 13, 2024
TCIN: 89075354
UPC: 9781635579628
Item Number (DPCI): 247-15-7263
Origin: Made in the USA or Imported
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Shipping details

Estimated ship dimensions: 1.42 inches length x 6.3 inches width x 9.06 inches height
Estimated ship weight: 1.45 pounds
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