Create Dangerously - (Toni Morrison Lecture) by Edwidge Danticat (Paperback)

Book Synopsis

A New York Times Notable Book
A Miami Herald Best Book of the Year

A moving and deeply personal account of art and exile from Edwidge Danticat, winner of two National Book Critics Circle Awards--now with a new preface by the author

"Create dangerously, for people who read dangerously. This is what I've always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them."--Create Dangerously

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile, examining what it means to be an immigrant artist from a country in crisis. Inspired by Albert Camus' lecture, "Create Dangerously," and combining memoir and essay, Danticat tells the stories of artists, including herself, who create despite--or because of--the horrors that drove them from their homelands.

She writes about the Haitian novelists she first read as a girl at the Brooklyn Public Library, Jean-Michel Basquiat and other artists of Haitian descent, and a renowned Haitian radio journalist whose political assassination shocked the world. She also eulogizes an aunt who guarded her family's homestead in the Haitian countryside, a cousin who died of AIDS while living in Miami as an undocumented immigrant, and a Haitian woman mutilated in a machete attack who became a public witness against torture.

Create Dangerously is an eloquent and moving expression of Danticat's belief that immigrant artists are obliged to bear witness when their countries of origin are suffering from violence, oppression, poverty, and tragedy.

Review Quotes

"[Danticat's] mission as a writer has been to speak from the diaspora for Haiti's disfranchised. . . . Her unlettered Haitian relatives call her a jounalis, a journalist writing with a purpose. She doesn't let them down."---Amanda Heller, Boston Globe

"[Danticat] avoids grandiose claims about the insightfulness of the exile--while honouring the complexity of the immigrant artist's role, with its precariousness and its drive to make connections."---Scott McLemee, The National

"Astonishing. . . . Here, finally, is the book I've been searching for, the book I urge everyone to read about Haiti. . . . Heartening and heartrendingly beautiful."---Julia Alvarez, NPR

"Danticat is a marvelous writer, blending personal anecdotes, history and larger reflections."---Sandip Roy, San Francisco Chronicle

"Danticat writes with a compassionate insight but without a trace of sentimentality. Her prose is energetic, her vision is clear, the tragedies seemingly speaking for themselves."---Betsy Willeford, Miami Herald

"Danticat's prose is spare and piercing; she doesn't waste words. Her ideas are never cloaked in layers of metaphor, yet every sentence has a lyrical, persuasive quality. . . . Stirring."---Jennifer Levin, Santa Fe New Mexican

"Danticat's tender new book about loss and the unquenchable passion for homeland makes us remember the powerful material from which most fiction is wrought: it comes from childhood, and place. No matter her geographic and temporal distance from these, Danticat writes about them with the immediacy of love."---Amy Wilentz, New York Times Book Review

"Danticat's writing is crisp and clear. . . . Not just another writer's book about writing, this volume delves into the suffering that affects artists who suspend themselves from time and place to create."-- "Library Journal"

"In Danticat's many remarkable stories and pensées from the gut, one locates the inimitable power of truth. Authorship becomes an act of subversion when one's words might be read and acted on by someone risking his or her life if only to read them."-- "Publishers Weekly"

"Powerful. [Danticat] acknowledges that the prospect of writing about tragedies and vanished cultures is a daunting one, yet she is not daunted: she accepts that by some accident she exists and has the power to create, and so she does."-- "TheNewYorker.com"

"What is best in this collection are the vivid portraits of the author's childhood in Haiti (and then as a book-obsessed teenager visiting the library in Brooklyn), intermingled with return journeys to visit relatives, collect sacks of coffee and observe the nation changing."---Steven Poole, The Guardian

"Whether she is profiling a courageous Haitian photojournalist, writing about a visit to relatives in a rural village, or meditating on the career of Jean-Michel Basquiat, Danticat is always also writing about her responsibilities as a part of what is called, in Creole, the dyaspora. . . . Thoughtful, powerful."---Adam Kirsch, Barnes and Noble Review

About the Author

Edwidge Danticat is an acclaimed, bestselling author of many books. She has won the National Book Critics Circle Award for both autobiography and fiction, has been a finalist for the National Book Award for both fiction and nonfiction, and has twice won the Story Prize, among many other accolades. Her books include Brother, I'm Dying; Everything Inside, a Reese's Book Club selection; Claire of the Sea Light; The Dew Breaker; Breath, Eyes, Memory, an Oprah Book Club selection; The Farming of Bones; and Krik? Krak! A MacArthur Fellow, Danticat is the Wun Tsun Tam Mellon Professor of the Humanities in the Department of African American and African Diaspora Studies at Columbia University.