Disability Works - (Performance and American Cultures) by Patrick McKelvey

About the Book

"Disability Works offers a cultural history of disability, performance, and work in the modern United States"--

Book Synopsis

Winner, 2025 Lilla A. Heston Award for Outstanding Scholarship in Interpretation and Performance Studies, given by the National Communication Association
Winner, Gay, Lesbian, Bisexual, Transgender, and Queer Communication Studies Division Book of the Year, given by the National Communication Association
Winner, 2025 C.L.R. James Award, awarded by the Working-Class Studies Association
Special Mention, 2025 David Bradby Monograph Prize, given by the Theatre and Performance Research Association
Shortlisted, 2025 Outstanding Book Award, given by the Association for Theatre in Higher Education
Finalist, 2025 PROSE Awards: Music and the Performing Arts
Finalist, 2025 John W. Frick Book Award, given by the American Theatre and Drama Society

A cultural history of disability, performance, and work in the modern United States

In 1967, the US government funded the National Theatre of the Deaf, a groundbreaking rehabilitation initiative employing deaf actors. This project aligned with the postwar belief that transforming bodies, minds, aesthetics, and institutions could liberate disabled Americans from economic reliance on the state, and demonstrated the growing optimism that performance could provide job opportunities for people with disabilities.

Disability Works offers an original cultural history of disability and performance in modern America, exploring rehabilitation's competing legacies. The book highlights an unexpected alliance of rehabilitation professionals, deaf teachers, policy makers, disability activists, queer artists, and religious leaders who championed performance's rehabilitative potential. At the same time, some disabled artists imagined a different political itinerary for theatrical practice. Rather than acquiescing to the terms of productive citizenship, these artists recuperated rehabilitation as a creative resource for imagining and building a world beyond work. Using previously unexplored archives, Disability Works portrays the history of disabled Americans' performance labor as both a national aspiration and a national problem. The book reveals how disabled artists and activists ingeniously used rehabilitative resources to fuel their performance practices, breaking free from the grasp of rehabilitation and fostering more just institutions.

From state-funded "sign-mime" to Black modern dance, community theatre to Stanislavskian actor training, speculative activism to epistolary performance, Disability Works recovers an expansive repertoire of aesthetic and infrastructural investigations into the terms of how disability works in modern American culture.

Review Quotes

"McKelvey reveals an archive of rehabilitation era disability performances that anticipated (and in some cases fueled) relationalities of difference."-- "The Drama Review"

"McKelvey's book offers something engaging for multiple theoretical and practical audiences. His book is a deep archival dive using crip theory methods and aims. He weaves his analysis through a commitment to Black disability politics and performance and queer performance. He gives disability theater historians a rich set of examples and texts over which to muse. These threads weave together to make McKelvey's piece a key text for performance studies scholars and classrooms."-- "Text and Performance Quarterly"

"Bringing queer analytics and crip critiques of work together with performance theory and meticulous archival analysis, Patrick McKelvey offers a rigorous exploration of the rehabilitative ethos structuring relationships between disability and performance in the postwar US. Disability Works is an outstanding example of interdisciplinary political economic analysis: an essential cultural history of the ways governmental institutions deployed theatrical initiatives as crucial infrastructure supporting this rehabilitative ethos, as well as of activist artists who both appropriated and disidentified with the norms of that ethos. Essential reading."-- "Judith Hamera, Princeton University"

"McKelvey takes disability history in a radically new direction by placing theater at the heart of U.S. disability politics since 1960. Tracing the lives and afterlives of government funding for disability arts, Disability Works brilliantly--and unexpectedly--calls attention to performance as a tool of vocational rehabilitation. As the government has tried to put disabled artists to work, telling them how to act, those artists have subverted the rehabilitative approach to disability. From the National Theatre of the Deaf to Alvin Ailey's American Dance Theater, McKelvey brings new archives, new works, and new crip aesthetics (such as "bureaucratic drag") to the field of disability studies."-- "Mara Mills, New York University"

"Disability Works puts before us histories that will quickly become indispensable for scholars and general readers, narrating how vibrant queercrip imaginaries have long looked beyond rehabilitation and indeed beyond work, imagining and performing ways of being-in-common that speak back to compulsory able-bodiedness. The histories that McKelvey documents provide us alternative, critically queer, and generatively disabled maps for moving forward. The demands of productive citizenship have rarely been felt as strongly as they are at this moment. In this context, the crip imagination that the book documents is a refreshing reminder that another world is possible."-- "Robert McRuer, author of Crip Times: Disability, Globalization, and Resistance"

About the Author

Patrick McKelvey is Assistant Professor in the Department of Theatre Arts at University of Pittsburgh