Faith in Poetry - (New Directions in Religion and Literature) by Michael D Hurley (Paperback)

Book Synopsis

In this ambitious book, Michael D. Hurley explores how five great writers - William Blake, Alfred Tennyson, Christina Rossetti, Gerard Manley Hopkins, and T. S. Eliot - engaged their religious faith in poetry, with a view to asking why they chose that literary form in the first place. What did they believe poetry could say or do that other kinds of language or expression could not? And how might poetry itself operate as a unique mode of believing? These deep questions meet at the crossroads of poetics and metaphysics, and the writers considered here offer different answers. But these writers also collectively shed light on the interplay between literature and theology across the long nineteenth century, at a time when the authority and practice of both was being fiercely reimagined.

Review Quotes

Among such recent scholarly recoveries concerning the dynamic interplay between literature and theology, Hurley's Faith in Poetry: Verse Style as a Mode of Religious Belief is a significant contribution ... An engaging and striking read. It blends rigorous and careful scholarship with a thoughtful treatment of religious poets as those who dare to believe in God and poetry.
The Catholic Herald

Insightful, ingenious, and compelling, the book should be a welcome addition to the library of anyone interested in the intersection of religion and aesthetics ... Hurley discovers, or rediscovers, poems that have been covered up by generalities, whether the generalities of literary history or of various ideologies. Wiping clean the fogged mirror and dusting the lamp, he allows us to see again, or for the first time, the brilliance of poems dimmed by decades of accumulated opinion. In doing so, he returns us to the poets he has chosen -- Blake, Tennyson, Christina Rossetti and T. S. Eliot -- with fresh interest in their poems, and this certainly numbers among the highest accomplishments of literary criticism.
The New Criterion

This book offers a highly revisionary reading of English verse since the Romantics. Much of the greatest poetry of this period, it argues, has after all retained the paradoxical dual mark of distinctively poetic speech as both formal and inspired. Its originality consists not in an experimental undoing of form or denial of inspiration (in the name of either subjective expression or objective craft), but in a specifically religious defence of these things which simultaneously suggests that the defence of religion requires a renewal of poetic practice. Such a 'faith in poetry' experiments with prosody and achieves a new musicality, not for their own sakes, but as the only way to intimate transcendence and to develop the experience of a belief that is turn by turn both luminous and difficult.
Catherine Pickstock, Professor of Metaphysics and Poetics, University of Cambridge, UK

About the Author

Michael D. Hurley teaches English Literature at the University of Cambridge, where he is a University Lecturer and a Fellow of St Catharine's College. He is the author of G. K. Chesterton (2012), co-author (with Michael O'Neill) of Poetic Form (2012), editor of the new Penguin Classics edition of The Complete Father Brown Stories, and co-editor (with Marcus Waithe) of Thinking Through Style: Non-Fiction Prose of the Long Nineteenth Century (2017).