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Museum Memories - (Cultural Memory in the Present) by Didier Maleuvre (Paperback)

Museum Memories - (Cultural Memory in the Present) by  Didier Maleuvre (Paperback) - image 1 of 1
Museum Memories - (Cultural Memory in the Present) by  Didier Maleuvre (Paperback) - image 1 of 1
$26.63 sale price when purchased online
$30.00 list price
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About this item

Highlights

  • From its inception in the early nineteenth century, the museum has been more than a mere historical object; it has manufactured an image of history.
  • About the Author: Didier Maleuvre is Associate Professor of French and Comparative Literature at the University of California, Santa Barbara.
  • 344 Pages
  • Art, History
  • Series Name: Cultural Memory in the Present

Description



About the Book



The author shows how museum culture offers a unique vantage point on the 19th and 20th centuries' preoccupation with history and subjectivity, and demonstrates how the constitution of the aesthetic provides insight into the realms of technology, industrial culture, architecture, and ethics.



Book Synopsis



From its inception in the early nineteenth century, the museum has been more than a mere historical object; it has manufactured an image of history. In collecting past artifacts, the museum gives shape and presence to history, defining the space of a ritual encounter with the past. The museum believes in history, yet it behaves as though history could be summarized and completed. By building a monument to the end of history and lifting art out of the turmoil of historical survival, the museum is said to dehistoricize the artwork. It replaces historicity with historiography, and living history turns into timelessness.

This twofold process explains the paradoxical character of museums. They have been accused of being both too heavy with historical dust and too historically spotless, excessively historicizing artworks while cutting them off from the historical life in which artworks are born. Thus the museum seems contradictory because it lectures about the historical nature of its objects while denying the same objects the living historical connection about which it purports to educate.

The contradictory character of museums leads the author to a philosophical reflection on history, one that reconsiders the concept of culture and the historical value of art in light of the philosophers, artists, and writers who are captivated by the museum. Together, their voices prompt a reevaluation of the concepts of historical consciousness, artistic identity, and the culture of objects in the modern period. The author shows how museum culture offers a unique vantage point on the nineteenth and twentieth centuries' preoccupation with history and subjectivity, and he demonstrates how the constitution of the aesthetic provides insight into the realms of technology, industrial culture, architecture, and ethics.



From the Back Cover



From its inception in the early nineteenth century, the museum has been more than a mere historical object; it has manufactured an image of history. In collecting past artifacts, the museum gives shape and presence to history, defining the space of a ritual encounter with the past. The museum believes in history, yet it behaves as though history could be summarized and completed. By building a monument to the end of history and lifting art out of the turmoil of historical survival, the museum is said to dehistoricize the artwork. It replaces historicity with historiography, and living history turns into timelessness.
This twofold process explains the paradoxical character of museums. They have been accused of being both too heavy with historical dust and too historically spotless, excessively historicizing artworks while cutting them off from the historical life in which artworks are born. Thus the museum seems contradictory because it lectures about the historical nature of its objects while denying the same objects the living historical connection about which it purports to educate.
The contradictory character of museums leads the author to a philosophical reflection on history, one that reconsiders the concept of culture and the historical value of art in light of the philosophers, artists, and writers who are captivated by the museum. Together, their voices prompt a reevaluation of the concepts of historical consciousness, artistic identity, and the culture of objects in the modern period. The author shows how museum culture offers a unique vantage point on the nineteenth and twentieth centuries' preoccupation with history and subjectivity, and he demonstrates how the constitution of the aesthetic provides insight into the realms of technology, industrial culture, architecture, and ethics.



About the Author



Didier Maleuvre is Associate Professor of French and Comparative Literature at the University of California, Santa Barbara.
Dimensions (Overall): 8.49 Inches (H) x 5.53 Inches (W) x .79 Inches (D)
Weight: .91 Pounds
Suggested Age: 22 Years and Up
Series Title: Cultural Memory in the Present
Sub-Genre: History
Genre: Art
Number of Pages: 344
Publisher: Stanford University Press
Theme: General
Format: Paperback
Author: Didier Maleuvre
Language: English
Street Date: April 1, 1999
TCIN: 93779117
UPC: 9780804736046
Item Number (DPCI): 247-11-5620
Origin: Made in the USA or Imported
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Shipping details

Estimated ship dimensions: 0.79 inches length x 5.53 inches width x 8.49 inches height
Estimated ship weight: 0.91 pounds
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