Night Watch - by Kevin Young (Hardcover)

About the Book

"Following on his exquisite Stones, Young's new collection shapes stories of familial and familiar love, inspired in part by other lives. A central sequence, "The Two-Headed Nightngale," is spoken by Millie-Christine McCoy, the famous conjoined African American "Carolina Twins." Born into slavery and ill treatment as a "freak" sensation in 1851 and later free women, their alto and soprano voices harmonized, and Young's poem explores their evolving selfhood and self-understanding: "As one we sang, /we spake- / She was the body / I the soul / Without one / Perishes the whole." In "Darkling," a cycle of poems written in reaction to Robert Rauschenberg's paintings made while listening to Dante's Inferno canto by canto, Young expands and embroiders the circles of Hell, incorporating his own experiences, drawing a cosmology of both loneliness and accompaniment, making space for the communal and singular voicing of both sorrow and hope, spiced with rueful notes on the failures of American culture. When he goes, he warns, don't sing "Amazing Grace"-not that "National / Anthem of Suffering." No, he suggests, "When I Fly Away, / Don't dare hold no vigil . . . Just burn the whole / Town on down.""--

Book Synopsis

From the award-winning poet at the height of his career, a book of personal and American experiences, both beautiful and troubling, touching on the generative cycle of loss and renewal

Following on his exquisite Stones, Kevin Young's new collection, written over the span of sixteen years, shapes stories of loss and legacy, inspired in part by other lives. After starting in the bayous of his family's Louisiana, Young journeys to further states of mind in "All Souls," evoking "The whale / who finds the shore / & our poor prayers." Another central sequence, "The Two-Headed Nightingale," is spoken by Millie-Christine McCoy, the famous conjoined African American "Carolina Twins." Born into enslavement, stolen, and then displayed by P. T. Barnum and others, the twins later toured the world as free women, their alto and soprano voices harmonizing their own way. Young's poem explores their evolving philosophical selfhood and pluralities: "As one we sang, /we spake-- / She was the body / I the soul / Without one / Perishes the whole."
In "Darkling," a cycle of poems inspired by Dante's Divine Comedy, Young expands and embroiders the circles of Hell, drawing a cosmology of both loneliness and accompaniment, where "the dead don't know / what to do / with themselves." Young writes of grief and hope as familiar yet surprising states: "It's like a language, / loss--," he writes, "learnt only / by living--there--." Evoking the history of poetry, from the darkling thrush to the darkling plain, Young is defiant and playful on the way through purgatory to a kind of paradise. When he goes, he warns, "don't dare sing Amazing Grace"--that "National / Anthem of Suffering." Instead, he suggests, "When I Fly Away, / Don't dare hold no vigil . . . Just burn the whole / Town on down."
This collection will stand as one of Young's best--his voice shaping sorrow with music, wisdom, heartache, and wit.

Review Quotes

One of Lit Hub's Most Anticipated Books of 2025

"Concentrated, intricately crafted, richly evocative, peppered with song lyrics and conversational turns of phrase, alive with birds, trees, rain, and snow, Young's poems delve into the mysteries of body and soul, memory and death, life and love." --Booklist (starred review)

About the Author

KEVIN YOUNG is the author of sixteen books of poetry and prose. He is the poetry editor of The New Yorker, where he hosts the Poetry Podcast, and is the editor of ten other anthologies, including African American Poetry: 250 Years of Struggle & Song.