Producing Palestine - (Soas Palestine Studies) by Dina Matar & Helga Tawil-Souri & Adam Hanieh (Hardcover)
About this item
Highlights
- Palestine has often been defined and constructed in the global imaginary through conflict, resistance, oppression and violence.
- About the Author: Dina Matar is a Professor at the School of Oriental and African Studies (SOAS), University of London, UK.
- 296 Pages
- Social Science, Anthropology
- Series Name: Soas Palestine Studies
Description
About the Book
"Palestine has often been defined and constructed in the global imaginary through conflict, resistance, oppression and violence. It's representation is so overridden with conflicting claims and associations that it remains inaccessible, even to Palestinians. Producing Palestine addresses the creative labour of producing Palestine, particularly in technological and media spaces that are defined by their porousness and by their intermediality - crossing genres of popular culture and disciplinary boundaries. It offers eighteen 'episodes' which collectively conceptualize, engage in, and invite readers to participate in the production of Palestine and its theorization. These episodes cover a wide array of spaces of production such as poster art, TikTok, virtual technologies, digital mapping, drone footage, online cooking shows, documentaries, music videos and many more. Producing Palestine contends that representations of Palestine carry a multitude of meanings, that Palestine is continually produced and reproduced, dynamically generating new knowledge production across media, languages, temporalities, geographies and disciplines"--Book Synopsis
Palestine has often been defined and constructed in the global imaginary through conflict, resistance, oppression and violence. Its representation is so overridden with conflicting claims and associations that it remains inaccessible, even to Palestinians. Producing Palestine addresses the creative labour of producing Palestine, particularly in technological and media spaces that are defined by their porousness and by their intermediality - crossing genres of popular culture and disciplinary boundaries.
It offers sixteen 'cases' which collectively conceptualize, engage in, and invite readers to participate in the production of Palestine and its theorization. These cases cover a wide array of spaces of production such as poster art, TikTok, virtual technologies, digital mapping, drone footage, online cooking shows, documentaries, music videos and many more. Producing Palestine contends that representations of Palestine carry a multitude of meanings, that Palestine is continually produced and reproduced, dynamically generating new knowledge production across media, languages, temporalities, geographies and disciplines.
Review Quotes
"In their entirety, the essays provide a psycho-social-virtual memoir of Palestine of both geographic and emotional proportions. They also give voice to the many thousands whose lives have been either lost to genocide or blighted by relentless occupation." --The Markaz Review
About the Author
Dina Matar is a Professor at the School of Oriental and African Studies (SOAS), University of London, UK. She is the Chair of the SOAS Centre of Palestine Studies. She is Series Editor of the series Political Communication and Media Practices in the Middle East and North Africa, and SOAS Palestine Studies.
Helga Tawil-Souri is an Associate Professor in the Department of Media, Culture, and Communication and the Department of Middle Eastern and Islamic Studies at NYU, USA.