Reimagining Constancy in the English Civil Wars - by Rachel Zhang (Hardcover)
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Highlights
- Reimagining Constancy in the English Civil Wars exposes writers' reliance on conservative language during one of the most radical periods of English history.
- About the Author: Rachel Dunn Zhang is scholar of early modern literature residing in the New York City area who has taught at Columbia University, Rutgers University, City College of New York and Touro College's Lander College for Women.
- 280 Pages
- Literary Criticism, Renaissance
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About the Book
Exposes writers' reliance on conservative language during one of the most radical periods of English historyBook Synopsis
Reimagining Constancy in the English Civil Wars exposes writers' reliance on conservative language during one of the most radical periods of English history. In case studies of both familiar genres (country house poem, love lyric, epic) and understudied ones (emblem book, prose romance), it shows how the conservative language of "constancy" was used to justify opposing positions in the period's most pressing controversies, including monarchical rule, ecclesiastical order, Catholicism, and England's relationship to the wider world. At the same time, writers like John Milton, Andrew Marvell, Hester Pulter, Percy Herbert, and others establish the virtue's importance to literary tradition, as they use "constancy" to retain, yet reimagine inherited formal structures and strategies. This book thus uses women's writing and non-canonical texts to highlight cross-factional conservatism and international investment in what scholars often describe as the "English Revolution".From the Back Cover
[headline]Exposes writers' reliance on conservative language during one of the most radical periods of English history Using case studies of both familiar genres (country house poem, love lyric, epic) and understudied ones (emblem book, prose romance), Rachel Dunn Zhang demonstrates how the conservative language of 'constancy' underpinned the most pressing controversies of the English civil wars. Examining the work of John Milton, Andrew Marvell, Hester Pulter, Percy Herbert and others, Zhang exposes how writers invoked constancy to justify opposing positions in mid-seventeenth century debates over monarchical rule, ecclesiastical order, Catholicism and England's relationship to the wider world, even as they established the virtue's importance to literary tradition. Constancy was the means by which writers retained and reimagined inherited formal structures and strategies, complicating characterisations of the period as one of generic failure and fragmentation. In this important work, Zhang draws on underrepresented female and non-canonical voices to highlight cross-factional conservatism and international investment in what scholars often describe as the 'English Revolution'. [bio]Rachel Dunn Zhang is a scholar of early modern literature residing in the New York City area who has taught at Columbia University, Rutgers University, City College of New York and Touro College's Lander College for Women. Her work has been published in numerous scholarly journals, including Milton Studies, Ben Jonson Journal, Studies in Philology, Early Modern Women, The Seventeenth Century and Notes and Queries. An authority on Hester Pulter, Zhang is also a contributing editor for The Pulter Project.Review Quotes
This is a work of most impressive painstaking and discerning intelligence and discovery, with many pages of exquisitely balanced interpretation. Rachel Dunn Zhang uncovers the 'ties that bind' in the literature of the English Civil War, the Wars of the Three Kingdoms, in the delicate articulation of constancy and the treatment of formal obligations, such as oaths, whatever the allegiance of the writer. The reader encounters new readings of famous poetry, such as that of Lanyer, Herrick, Milton, Marvell and The Book of Common Prayer, but also a host of valuable lesser-known works, some unknown until very recently, such as the emblems of Hester Pulter or Sir Percy Herbert's romance The Princess Cloria, these now much more approachable in the digital age. Every chapter is a must-read for students as well as specialists in the future, and all readers will be galvanized by the turn to contemporary concerns with freedom, beauty, ugliness and hope that comes in the epilogue.--Nigel Smith, Princeton University
About the Author
Rachel Dunn Zhang is scholar of early modern literature residing in the New York City area who has taught at Columbia University, Rutgers University, City College of New York and Touro College's Lander College for Women. An authority on Hester Pulter, Zhang has published extensively on Pulter's poetry and prose and is a contributing editor and reviewer for The Pulter Project, a peer-reviewed online edition of Pulter's manuscript which has won awards from the MLA and Society for the Study of Early Modern Women and Gender. Zhang's scholarship has also been published in Milton Studies, Notes and Queries, Studies in Philology, Early Modern Women and The Seventeenth Century.