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The Consequences of Desire - (Flannery O'Connor Award for Short Fiction) by Dennis Hathaway (Paperback)

The Consequences of Desire - (Flannery O'Connor Award for Short Fiction) by  Dennis Hathaway (Paperback) - 1 of 1
$23.99 sale price when purchased online
$27.95 list price
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About this item

Highlights

  • The stories collected in The Consequences of Desire describe a modern urban society in its extraordinary complexity, its often apparent absence of fixed values, and its resistance to easy understanding.
  • About the Author: DENNIS HATHAWAY grew up on an Iowa farm and now lives with his wife in Venice, California.
  • 240 Pages
  • Fiction + Literature Genres, Short Stories (single author)
  • Series Name: Flannery O'Connor Award for Short Fiction

Description



About the Book



This collection of stories describes a modern urban society in its extraordinary complexity, its absence of fixed values, and its resistance to easy understanding. Set mainly in California, they portray a world where dreams conflict with reality, where perception fills the space between truth and fiction, logic and emotion, fantasy, and disaster.



Book Synopsis



The stories collected in The Consequences of Desire describe a modern urban society in its extraordinary complexity, its often apparent absence of fixed values, and its resistance to easy understanding.

In "Counting Mercedes-Benzes," Marshall is a directionless young man who believes he can escape his parents' Beverly Hills lifestyle by marrying for love. He fails to realize, however, that the woman he thinks he loves, his mother's Hispanic maid Geneveva, has little in common with the person he imagines her to be.

The title story concerns a corporate lawyer who was a radical at Berkeley in the sixties. By chance he runs into his lover from that time and discovers how far the two have traveled in the intervening years. In "Lost in Rancho Mirage," Denton is a young man who might "have been picking up garbage or digging ditches if his grandfather hadn't left his (Denton's) father a piece of real estate that turned out to be directly in the path of a freeway." He must come to terms with the fact that he can never fully possess his beautiful girlfriend: "The imaginary sunlight bathing Jill, he realized, was a microcosm of a world in which she would always be the center; he would always be standing a little off, in a shadow, where he belonged."

The need to overcome reality often becomes an obsession for these characters. In "Space and Light," an architect's realization that a former protege has surpassed him both financially and artistically prompts him to attempt something wholly original for the first time, a project that leads him down an inexorable path to madness, to a darkness from which there is literally no escape. In "The Girl Detective," Justine's disappointment over her first sexual experience is juxtaposed to her resentment at being born a girl. To her, being a girl means "always wanting to be something different, someone else, unable to accept the facts that some of her friends seemed to consider, amazingly, a stroke of the utmost fortune." In the aftermath of her surrender to passion on the grass of the municipal golf course, she indulges her childish fantasy of being a private eye--"not Nancy Drew but Philip Marlowe, Sam Spade, Lew Archer, even the virulent, violent Mike Hammer."

Set mainly in California, these stories portray a world where dreams come into conflict with reality, where perception fills the space between truth and fiction, logic and emotion, fantasy and disaster.



From the Back Cover



The stories collected in The Consequences of Desire describe a modern urban society in its extraordinary complexity, its often apparent absence of fixed values, and its resistance to easy understanding. In "Counting Mercedes-Benzes", Marshall is a directionless young man who believes he can escape his parents' Beverly Hills lifestyle by marrying for love. He fails to realize, however, that the woman he thinks he loves, his mother's Hispanic maid Geneveva, has little in common with the person he imagines her to be. The title story concerns a corporate lawyer who was a radical at Berkeley in the sixties. By chance he runs into his lover from that time and discovers how far the two have traveled in the intervening years. In "Lost in Rancho Mirage", Denton is a young man who might "have been picking up garbage or digging ditches if his grandfather hadn't left his (Denton's) father a piece of real estate that turned out to be directly in the path of a freeway". He must come to terms with the fact that he can never fully possess his beautiful girlfriend: "The imaginary sunlight bathing Jill, he realized, was a microcosm of a world in which she would always be the center; he would always be standing a little off, in a shadow, where he belonged". The need to overcome reality often becomes an obsession for these characters. In "Space and Light", an architect's realization that a former protege has surpassed him both financially and artistically prompts him to attempt something wholly original for the first time, a project that leads him down an inexorable path to madness, to a darkness from which there is literally no escape. In "The Girl Detective", Justine's disappointment over her firstsexual experience is juxtaposed to her resentment at being born a girl. To her, being a girl means "always wanting to be something different, someone else, unable to accept the facts that some of her friends seemed to consider, amazingly, a stroke of the utmost fortune". In the aftermath of her surrender to passion on the grass of the municipal golf course, she indulges her childish fantasy of being a private eye - "not Nancy Drew but Philip Marlowe, Sam Spade, Lew Archer, even the virulent, violent Mike Hammer". Set mainly in California, these stories portray a world where dreams come into conflict with reality, where perception fills the space between truth and fiction, logic and emotion, fantasy and disaster.



Review Quotes




Hathaway is attuned to the vast distances between people even as they share a bed, a conversation, or a drink. He takes exact measurements of the chasm between fancy and fact, fears and longings, the mundaneness of reality and the tempting illogic of fantasy . . . These are perceptive, enticing, and complexly structured stories that illuminate the gap between thought and communication, the void between wealth or beauty and spiritual clarity.

--Booklist

In his strongest fiction, Hathaway reminds us how hard it is to build anything of which to be proud, anything that lasts--a house, or a family, or a sense of self-worth.

--Washington Post



About the Author



DENNIS HATHAWAY grew up on an Iowa farm and now lives with his wife in Venice, California. He has been a journalist, building contractor, and, most recently, head of the Los Angeles-based Coalition to Ban Billboard Blight. He was the founding editor of Crania, an online literary magazine, and taught fiction writing at UCLA. His latest book is The Taste of Flesh, a collection of poetry.
Dimensions (Overall): 8.5 Inches (H) x 5.5 Inches (W) x .55 Inches (D)
Weight: .68 Pounds
Suggested Age: 22 Years and Up
Number of Pages: 240
Genre: Fiction + Literature Genres
Sub-Genre: Short Stories (single author)
Series Title: Flannery O'Connor Award for Short Fiction
Publisher: University of Georgia Press
Format: Paperback
Author: Dennis Hathaway
Language: English
Street Date: July 1, 2008
TCIN: 1005874482
UPC: 9780820333083
Item Number (DPCI): 247-18-1148
Origin: Made in the USA or Imported

Shipping details

Estimated ship dimensions: 0.55 inches length x 5.5 inches width x 8.5 inches height
Estimated ship weight: 0.68 pounds
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